'Ali Adil Shah of Bijapur and Sheikh Abu'l-Qasim,

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'Ali Adil Shah of Bijapur and Sheikh Abu'l-Qasim,
gouache heightened with gold on paper, 'Ali Adil Shah holds a flower in his right hand and his sword in his left as he stands facing the minister, Abu'l-Qasim, gold and blue sky above, mounted on buff leaf inscribed above ''ali adil shah wali bijapur' and 'sheikh abu'l-qasim wazir', (creasing and flaking on left side, some general light flaking and rubbing, small areas of possible overpainting, wear to mount) - 21.4 x 15.5cm.; and a portrait of Aurangzeb, probably from the same album, the white bearded ruler sits on a gold throne holding a flywhisk in his left hand, mounted on buff leaf inscribed above 'padshah muhammad aurangzeb khilid makan', and attributed below to Anup Chattar 'kar-i anup chattar musavvir pad(?)shah', (some rubbing and marking, wear to edges of mount) - 22 x 14.3cm., both Mughal, late 17th century
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Lot Essay

'Ali Adil Shah II ruled in Bijapur from 1656-72. His title of 'Wali' rather than 'Sultan' in the inscription may suggest the miniature was painted for a Mughal patron, though the Mughals also usually referred to the Bijapur rulers as 'Khan' rather than 'Shah'.
The emperor Aurangzeb ruled from 1658-1707 and the 'khilid makan' of the inscription implies he was still alive at the time of painting.
The artist Anup Chattar, though little known, apparently started work under Shah Jehan and then worked for Dara Shikoh, where he acquired the title 'Rai'. Following the prince's death he dropped this title and continued working under Aurangzeb. He seems to have had a son, Har Das, who also worked in the late 17th century as a painter.
For other paintings by the artist see: Falk, T. and Archer, M.: Indian Miniatures in the India Office Library, London 1981, nos 70, 71, 73, 117, 152, 204; Verma, S.P.: Mughal Painters and their Work, Delhi 1994, pp.61-2 and Poster, A.: Realms of Heroism, Brooklyn 1994, p.87, no.41.

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