CHAIM SOUTINE (1893-1943)

MAISONS à CéRER

細節

CHAIM SOUTINE (1893-1943)
MAISONS à CéRER
SIGNED 'SOUTINE' (LOWER LEFT)
OIL ON CANVAS
25 5/8 X 36IN. (65.1 X 91.4CM.)
PAINTED CIRCA 1920

來源

PIERRE WERTHEIMER, LAUSANNE
DANIEL VARENNE, PARIS
DANIEL VARENNE & HIRSCH AND ADLER GALLERIES, INC., NEW YORK
GALERIE YOSHII, TOKYO
OSAKA FORMES GALLERY, TOKYO
YOSHITSUGU TAKAHATA, KYOTO
ANON. SALE, SOTHEBY'S PARKE BENNET, 14 MAY 1985, LOT 57

出版

P. COURTHION, SOUTINE: PEINTURE DE DéCHIRANT, LAUSANNE 1972, P. 2200, FIG. A (ILLUSTRATED).
M. TUCHMAN, E. DUNOW & K. PERLS, CHAIM SOUTINE: CATALOGUE RAISONNé, VOL. I, COLOGNE 1993, NO. 63, P. 177 (ILLUSTRATED IN COLOUR).

展覽

TOKYO, GALERIE YOSHII, CHAIM SOUTINE, 1973, NO. 8 (ILLUSTRATED).

拍場告示

PLEASE NOTE THE FOLLOWING ADDITIONAL EXHIBITION INFORMATION FOR THIS LOT:
TOKYO, ODAKYU MUSEUM, CHAIM SOUTINE CENTENARY EXHIBITION, NOVEMBER-DECEMBER 1992, NO. 27. THIS EXHIBITION LATER TRAVELLED TO NARA, NARA SOGO MUSEUM, JANUARY-FEBRUARY 1993; IBARAKI, KASAMA NICHIDO MUSEUM, MARCH-APRIL 1993 AND HOKKAIDO, HOKKAIDO MUSEUM OF MODERN ART, APRIL-MAY 1993.
PLEASE NOTE THAT THIS LOT IS SUBJECT TO 2.5 VAT AND SHOULD BE STARRED IN THE CATALOGUE.

拍品專文

AS WIL GROHMANN HAS IDENTIFIED, "THE FURIOSO OF THE BRUSHSTROKES CONTINUES VAN GOGH OF THE LATE PERIOD, THE FAUVE INFLUENCE COMES LATER. BUT SOUTINE HAS LESS FAITH THAN THE DUTCHMAN. HE DOES NOT RIP UP THE SURFACE TO GET TO THE BOTTOM OF THE TRUTH; HE PLOWS THROUGH NATURE LIKE ONE PURSUED. THE PROXIMITY OF THE ULTIMATE AND HIS FEAR OF IT MAKES SOUTINE FORGET THE FIRM GROUND OF REALITY." (W. GROHMANN, EXPRESSIONISTS, NEW YORK 1957).