A BRONZE EQUESTERIAN GROUP OF MARCUS AURELIUS

AFTER THE ANTIQUE, 16TH OR 17TH CENTURY

Details
A BRONZE EQUESTERIAN GROUP OF MARCUS AURELIUS
AFTER THE ANTIQUE, 16TH OR 17TH CENTURY
On an architectural, ebonised wooden pedestal; the figure cast separately; the underneath of the pedestal with a wax seal of Frankfurt, possible a customs seal.
Dark brown patina; drill holes to the emperor's drapery and horse's back for attachment.
23.5/8 in. (60 cm.) high, overall
Literature
COMPARATIVE LITERATURE:
F. Haskell and N. Penny, Taste and the Antique - The Lure of Classical Sculpture 1500-1900, New Haven and London, 1981, pp. 252-255.

Lot Essay

Apart from the groups of Alexander and Bucephalus, the life-size equestarian bronze of Marcus Aurelius is the only important sculpture to survive from antiquity unburied. Its survival through the fall of paganism was probably aided by the rider's false identification as Constantine, the first Christian Emperor. The figure had been variously identified until the humanist Bartolomeo Platina, later librarian to Sixtus IV (1471-84), suggested an attribution to Marcus Aurelius. Nevertheless, this identification did not become universally accepted until about 1600. The bronze was one of the most admired antique statues and apart from numerous small copies in plaster, bronze and on intaglios and cameos, many large-scale versions were made - François I probably had one executed and sent to Fontainebleau. Ultimately almost every equestarian portrait statue is to some degree indebted to the Marcus Aurelius for inspiration.

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