Details
Albrecht Drer
The Cannon
etching on iron, 1518, a very fine and luminous Meder Ia impression, before the rust spots, watermark Narrow High Crown (cf. M. 31), a thread margin at the upper left corner, elsewhere trimmed on or just inside the platemark, three or four soft creases visible on the reverse, a repaired vertical split at the lower left corner, one or two other small repairs at the edges
S. 218 x 320mm.
Literature
Bartsch 99; Meder, Hollstein 96

Lot Essay

Drer's watercolour of the Three Turks (British Museum) provided a model for the figures in this composition. This was copied in turn from a painting by Gentile Bellini that the artist would have seen when first in Venice in 1494. In the etching Drer gives one of the Turks a beard and his features seem to resemble that of the artist's own. A silverpoint sketch, probably executed a year before the etching, entitled Kirchehrenbach near Forchheim (Boymans van Beuningen Museum Rotterdam) was the basis for the landscape.

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