Sir Peter Lely (1618-1680)

Portrait of Thomas Wriothesley, 4th Earl of Southampton (1607-1667), half-length, in a blue coat and white collar, wearing the Star of the Order of the Garter

Details
Sir Peter Lely (1618-1680)
Portrait of Thomas Wriothesley, 4th Earl of Southampton (1607-1667), half-length, in a blue coat and white collar, wearing the Star of the Order of the Garter
with identifying inscription, associated with the 2nd Earl of Strafford, 'Thomas Wriothesley Earle of Southampton Lord High Tresarer of England to Kg Charles ye 2d.' (upper centre)
oil on canvas
30 x 25 in. (76.2 x 63.5 cm.)
Provenance
William Wentworth, 2nd Earl of Strafford (d.1695), by whom bequeathed in his 'A Schedule of such goods as shall be left at Woodhouse for heir loomes to be continued with the Estate', described as 'The Earle of Southampton Lord Treasurer by Lilly to the Waste', to his nephew
Hon. Thomas Watson (d. 1723) and by descent to
Charles, 2nd Marquess of Rockingham (d. 1782) and by descent to his nephew
William, 4th Earl Fitzwilliam (d. 1833) and by descent.
Literature
R. Goulding, 'Wriothesley Portraits', The Walpole Society, VIII, Oxford, 1920, p. 72, no. K. xv.
O. Millar, 'Strafford and van Dyck', in For Veronica Wedgwood These, Studies in Seveneenth Century History, ed. R. Ollard and P. Tudor-Craig, London, 1986, p. 122, no. 52.

Lot Essay

The sitter was the second but eldest surviving son of Henry Wriothesley, 3rd Earl of Southampton (1573-1624) through his notorious marriage to Elizabeth Vernon, niece of Walter Devereux, 1st Earl of Essex. A man of moderate views, Southampton was described by Burnet as a 'man of great virtue and of very good parts; he had a lively apprehension and a good judgement.' In the growing constitutional crisis of the 1630s, Wriothesley found himself initially opposed to the policies of King Charles I and Lord Strafford, siding instead with Lord Essex, his cousin. However he grew increasingly disillusioned with the vehemence of Strafford's enemies, and disassociated himself from Essex when criminal proceedings were initiated. On 3 May 1641 he declined assent to Pym's 'protestation against plots and conspiracies' - a document signed by every member of both houses of Parliament, save for Lord Robartes and himself. Thereafter Southampton sided entirely with the King, remaining by him with few intervals until his death. On the night following the King's execution, Southampton obtained leave to watch by the body in the banqueting hall at Whitehall, and told that in the darkness a muffled figure entered, who muttered 'Stern necessity'. He affirmed his conviction that the visitor was Cromwell.

During the Commonwealth, Southampton lived in retirement at his estates at Beaulieu, in Hampshire. At the Restoration, he was created a Knight of the Garter by King Charles II, and was created Lord High Treasurer of England later in the year. On his death, Pepys wrote: 'There is a good man gone', calling him 'a very ready man, and certainly a brave servant of the king.'

Southampton's Hampshire estates passed to Elizabeth, Duchess of Montagu, his daughter by his second wife, and ultimately to the Lords Montagu of Beaulieu. His London estates, including his residence on the north side of what is now Bloomsbury Square, passed to Rachel, Lady Russell, his second daughter by his first wife. After her death they were inherited by her son, Wriothesley, 2nd Duke of Bedford (1680-1711), forming the London estates of the Dukes of Bedford.

This portrait derives from the celebrated double portrait of Lord and Lady Southampton (Private Collection, England). Other versions of this type include the three-quarter-length portrait of Lord Southampton in the collection of the Duke of Bedford, at Woburn Abbey, and a half-length portrait in the collection of the Marquess of Bath, at Longleat.

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