A BRONZE FIGURE OF FORTUNA

AFTER GIAMBOLOGNA, LATE 16TH OR 17TH CENTURY

Details
A BRONZE FIGURE OF FORTUNA
AFTER GIAMBOLOGNA, LATE 16TH OR 17TH CENTURY
On a tripartite waisted socle.
Greenish brown patina; repaired casting flaws; the sail lacking.
21.3/8 in. (54.3 cm.) high
Provenance
Charles, 2nd Marquess of Rockingham (d. 1782), and by descent to his nephew
William, 4th Earl Fitzwilliam (d. 1833) and by descent.
Literature
The 1782 Inventory of Wentworth Woodhouse, In the Low Room adjoining to the South Tower: '1 Small Figure of a Woman Standing upon a Ball and Pedestal......in Bronze'.
N. Penny, Lord Rockingham's Sculpture Collection and the Judgement of Paris by Nollekens, offprint from The J. Paul Getty Museum Journal, Vol. 19/1991, pp. 5-34, fig. 9.
COMPARATIVE LITERATURE:
London, Victoria and Albert Museum, Giambologna 1529-1608, Sculptor to the Medici, 5 October - 16 November 1978, nos. 13-16, pp. 69-71.

Lot Essay

The present bronze Fortuna is after a model by Giambologna. With her long silhouette and upstretched arm she recalls the celebrated Mercury, and suggestions that she was actually created as a pendant to the latter appear to be corroborated by an inventory of the collection of Benedetto Gondi of 1609, when two examples of the Fortuna and Mercury are described in successive entries.
The present bronze was listed in the inventory of the possessions of the 2nd Marquess of Rockingham at the time of his death in 1782. Although it was tentatively described as Venetian by Nicholas Penny, in his article on the sculpture collection at Wentworth (loc. cit.), the flawed cast and somewhat brassy alloy may well indicate a northern, possibly German, foundry.

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