Lot Essay
For a number of closely related mirrors, though each differing slightly in either the central knop, hunting-subject or border, see Leigh Ashton & Basil Gray, Chinese Art, London, 1935, pp.146-147, no. 52a, (from the Louvre Museum, Paris), where it is suggested that the hunting scene (boar and lion) probably derives from the well-known Bahram Gur motif of Sassanian silver; René-Yvon Lefebvre d'Argencé, Chinese Treasures from the Avery Brundage Collection, New York, 1968, pp. 46-47, no. 34. See, also, an example sold in our London rooms, December 10, 1990, lot 32