A FRENCH ORMOLU, PATINATED BRONZE AND EBONY MANTLE CLOCK
A FRENCH ORMOLU, PATINATED BRONZE AND EBONY MANTLE CLOCK

BY HENRY DASSON, PARIS, THE MOVEMENT BY LEROY, PARIS, DATED 1883

Details
A FRENCH ORMOLU, PATINATED BRONZE AND EBONY MANTLE CLOCK
BY HENRY DASSON, PARIS, THE MOVEMENT BY LEROY, PARIS, DATED 1883
CASE: The rectangular base with a laurel swagged flower-filled entrelac-cast frieze, surmounted by a maiden reading a book whilst reclining against an architectural plinth, on toupie feet, signed henry Dasson 1883' DIAL: white enamel with Roman and Arabic chapters and pierced gilt hands, signed 'LEROY/ PARIS/ 13-15 PALAIS-ROY AL ' MOVEMENT: twin barrel with Brocot regulation rack strike to bell
19 in. (48.5 cm.) high; 27 in. (69 cm.) deep; 9 ¾ in. (25 cm.) deep

Brought to you by

Giles Forster
Giles Forster

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

The celebrated mantle clock is known as ‘pendule à la Geoffrin’ as the model was first made for Madame Geoffrin (d. 1777) who ran an important Salon. The reading figure was thought to represent her in the pose of a student as painted by Nattier in 1738 and probably sculpted by Laurent Guiard in 1754. Various examples were produced over the next thirty years, one in the Wallace Collection in London (F267), and it is becoming of Dasson’s talent to so successfully revive the model in the 1880s.

Henry Dasson (d. 1896) is recorded as having worked in Paris at 106, rue Vieille-du-Temple. Dasson specialized in reproducing a wide range of furniture and objets d'art of high quality in the style of Louis XIV, XV and XVI, often directly copying known pieces. He purchased the firm of the ébéniste Charles Winckelsen upon his death in 1870, and produced an impressive range of pieces for the Paris Expositions from 1878 until 1895. The firm's output was distinguished particularly by the fine quality of its ormolu mounts. The business continued until 1894, when a sale of remaining stock was held (see D. Ledoux-Lebard, Le Mobilier Français du XIX Siècle, Paris, 1984, pp. 146-151).




More from The Opulent Eye - 19th Century Furniture, Sculpture & Works of Art

View All
View All