A GEORGE II CARVED GILTWOOD SIDE TABLE
A GEORGE II CARVED GILTWOOD SIDE TABLE
A GEORGE II CARVED GILTWOOD SIDE TABLE
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Specified lots are being stored at Crozier Park Ro… Read more
A GEORGE II CARVED GILTWOOD SIDE TABLE

CIRCA 1745, IN THE MANNER OF MATTHIAS LOCK

Details
A GEORGE II CARVED GILTWOOD SIDE TABLE
CIRCA 1745, IN THE MANNER OF MATTHIAS LOCK
The associated rouge Languedoc marble top above a carved and pierced foliate frieze centred by a C-scroll cartouche, on similarly carved cabriole legs and rocaille feet, re-gilt
32 in. (81 cm.) high; 38 ½ in. (98 cm) wide; 22 in. (56 cm.) deep
Provenance
Property from a Distinguished European Estate; sold Christie's, London, 17 May 2017, lot 14.
Special notice
Specified lots are being stored at Crozier Park Royal (details below) or will be removed from Christie’s, 8 King Street, London, SW1Y 6QT by 5.00pm on the day of the sale. Christie’s will inform you if the lot has been sent offsite. If the lot has been transferred to Crozier Park Royal, it will be available for collection from 12.00pm on the second business day following the sale. Please call Christie’s Client Service 24 hours in advance to book a collection time at Crozier Park Royal. All collections from Crozier Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s, 8 King Street, it will be available for collection on any working day (not weekends) from 9.00am to 5.00pm Cancellation under the EU Consumer Rights Directive may apply to this lot. Please see here for further information.

Brought to you by

Amelia Walker
Amelia Walker Director, Specialist Head of Private Collections

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Lot Essay


Designed in the French 'Picturesque' manner, with acanthus entwined C-scrolls and floral garlands, this table is inspired by patterns for tables by Matthias Lock, in particular, plate 5, as published in Six Tables (1746). Along with his other publications, these designs epitomise the advanced early rococo style of English furniture, some ten years before Chippendale's first edition (M. Heckscher, ‘Lock and Copland: A Catalogue of the Engraved Ornament’, Furniture History, vol. 15, 1979, plate 9).
Matthias Lock, of Long Acre, London, was one of the outstanding carvers and designers in the rococo style, and was acclaimed by the upholder James Cullen as 'reputed the best draftsman in that way that had ever been in England'. The first of his several published works was issued in 1740, he collaborated with Henry Copland in 1752, and then apparently worked in some form of partnership with Thomas Chippendale. Many of Lock's designs, including furniture for Earl Poulet at Hinton House, Dorset, are preserved in the Victoria and Albert Museum, London and in the Metropolitan Museum, New York.

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