A Japanese Arita blue and white metal-gilt mounted tankard
On occasion, Christie's has a direct financial int… Read more
A Japanese Arita blue and white metal-gilt mounted tankard

LATE 17TH CENTURY, THE MOUNT CIRCA 1710

Details
A Japanese Arita blue and white metal-gilt mounted tankard
Late 17th Century, the mount circa 1710
Painted in the Chinese Transitional style with three panels of landscape scenes depicting birds on riverbanks and in branches, remote pavilions amongst pine and rockwork and two figures with a dog in a pine-strewn, rocky landscape, all on a ground of karakusa scrollwork, the metal-gilt cover with foliate handle mount, large base crack, thumb-piece missing
25 cm. high
Special notice
On occasion, Christie's has a direct financial interest in lots consigned for sale which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. This is such a lot. This indicates both in cases where Christie's holds the financial interest on its own, and in cases where Christie's has financed all or a part of such interest through a third party. Such third parties generally benefit financially if a guaranteed lot is sold successfully and may incur a loss if the sale is not successful. Christie’s charges a premium to the buyer on the Hammer Price of each lot sold at the following rates: 29.75% of the Hammer Price of each lot up to and including €5,000, plus 23.8% of the Hammer Price between €5,001 and €400,000, plus 14.28% of any amount in excess of €400,001. Buyer’s premium is calculated on the basis of each lot individually.

Lot Essay

Tankards of various sizes were ordered by the Dutch East India Company from the 1660's onwards. Their shapes closely followed the mostly German stoneware models sent with the orders. The decoration was invariably in the Chinese Transitional style, however reinterpreted in the Japanese manner.
A similar Japanese silver-mounted tankard is illustrated in Ko-Imari porcelain from the Collection of Oliver Impey, Barry Davies Oriental Art, London, 1997, p. 34-35, no. 11.

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