A LOUIS XVI ORMOLU-MOUNTED MAHOGANY CONSOLE DESSERTE
A LOUIS XVI ORMOLU-MOUNTED MAHOGANY CONSOLE DESSERTE
A LOUIS XVI ORMOLU-MOUNTED MAHOGANY CONSOLE DESSERTE
A LOUIS XVI ORMOLU-MOUNTED MAHOGANY CONSOLE DESSERTE
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A LOUIS XVI ORMOLU-MOUNTED MAHOGANY CONSOLE DESSERTE

BY ADAM WEISWEILER, CIRCA 1780

细节
A LOUIS XVI ORMOLU-MOUNTED MAHOGANY CONSOLE DESSERTE
BY ADAM WEISWEILER, CIRCA 1780
With molded demilune Carrara marble top above a conforming panelled frieze fitted with a central drawer and flanked with hinged compartments mounted sans traverse with husks within a beaded encadrement, on stop-fluted rectangular supports joined by a shaped pierced galleried undertier, on circular tapering legs, stamped A. WEISWEILER to the top right corner
34 ½ in. (88 cm.) high, 51 ¼ in. (130 cm.) wide, 19 ¼ in. (49 cm.) deep
来源
Anonymous sale; Hôtel Drouot, Paris, 23 March 1982, lot 65.
出版
P. Lemonnier, Weisweiler, 1983, p. 80, no. 111.
P. Kjellberg, Le Mobilier Français du XVIIIe Siècle, Paris, 1989, p. 871

注意事项
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.
拍场告示
A pair of consoles dessertes by Weisweiler of virtually the same model is in the Residenz, Munich (illustrated in G. Hojer & H. Ottomeyer, Die Möbel Der Residenz München: Die Französischen Möbel des 18. Jahrhunderts, Munich, 1995, cat. 40, pp. 173-4).

Please note additional literature for this lot:
P. Kjellberg, Le Mobilier Français du XVIIIe Siècle, Paris, 1989, p. 871

荣誉呈献

Jonathan Rendell
Jonathan Rendell

拍品专文

Adam Weisweiler, maître in 1778.
Born in Neuwied, Weisweiler is believed to have studied with David Roentgen (1743-1807) before emigrating to Paris, where he was established as an artisan libre – a foreign worker protected by the medieval right of refuge – by 1777, the year of his marriage. The following year he became a maître-ébéniste, and established his workshop on the rue du Faubourg Saint-Antoine, joining Reisener and the elite group of German artisans providing pieces for the French royal family. While he is recorded to have worked with the marchand-mercier Julliot, the luxury pieces for which he is best known were almost exclusively sold directly through Dominique Daguerre. He provided the designs for many of Weisweiler’s most important commissions and together they supplied the most influential and esteemed patrons of their day: Louis XVI and Marie Antoinette, George, Prince of Wales (later King George IV), and Grand Duchess Maria Feodorovna and Grand Duke Paul of Russia.

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