A MATCHED PAIR OF LOUIS XVI ORMOLU-MOUNTED CITRONNIER, FRUITWOOD AND MARQUETRY SECRETAIRES
A MATCHED PAIR OF LOUIS XVI ORMOLU-MOUNTED CITRONNIER, FRUITWOOD AND MARQUETRY SECRETAIRES
A MATCHED PAIR OF LOUIS XVI ORMOLU-MOUNTED CITRONNIER, FRUITWOOD AND MARQUETRY SECRETAIRES
A MATCHED PAIR OF LOUIS XVI ORMOLU-MOUNTED CITRONNIER, FRUITWOOD AND MARQUETRY SECRETAIRES
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Please note this lot will be moved to Christie’s F… Read more
A MATCHED PAIR OF LOUIS XVI ORMOLU-MOUNTED CITRONNIER, FRUITWOOD AND MARQUETRY SECRETAIRES

BY ROGER VANDERCRUSE, KNOWN AS LACROIX, CIRCA 1775

Details
A MATCHED PAIR OF LOUIS XVI ORMOLU-MOUNTED CITRONNIER, FRUITWOOD AND MARQUETRY SECRETAIRES
BY ROGER VANDERCRUSE, KNOWN AS LACROIX, CIRCA 1775
Each with white and grey veined marble top above a scrolling foliate frieze fitted with a central drawer over a fall front opening to a fitted interior and flanked by serpentine shelves over a central drawer, square tapering legs ending in sabots, one with blue-painted 294S to underside of the frame, the other with partial CHENUE label to the back, variations in construction and marquetry, both stamped LACROIX
50 in. (127 cm.) high, 34 in. (86.5 cm.) wide, 14 in. (35.5 cm.) deep
Provenance
Mrs. Hamilton Rice (Mrs. George Widener), New York and Rhode Island; Parke Bernet Galleries, New York, 3 October 1970, lots 146-7.
Literature
M. Kathrens, American Splendor, The Residential Architecture of Horace Trumbauer, pp. 197 and 257.
Special notice
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.

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Lot Essay

Roger Vandercruse known as Lacroix, maître in 1755.
These elegant secrétaires à encoignure epitomize the ingenuity of Parisian ébénisterie in the latter part of the eighteenth century and particularly the oeuvre of Lacroix, who had specialized in the production of small, costly items of furniture, often embellished with intricate marquetry and sophisticated mechanical devices. On numerous occasions he collaborated with the celebrated marchand-mercier Simon-Philippe Poirier, who supplied precious materials such as Sèvres porcelain and oriental lacquer to be incorporated in these pieces. A closely related secrétaire with almost identical mounts and inlay and with a Sèvres porcelain plaque to the fall-front is at Waddesdon Manor, see G. de Bellaigue, The James A. de Rothschild collection at Waddesdon Manor, Furniture, Clocks and Gilt Bronze, Fribourg 1974, pp. 337-341, cat 67; while another is at the Metropolitan Museum of Art, New York, see C. Roinet, Roger Vandercruse dit La Croix, Paris, 2000, p. 57. A comparable secrétaire by RVLC with marquetry decoration to the fall-front sold Christie’s, London, 9 December, 2010, lot 261 (£145,250).
MRS. HAMILTON RICE
A Gilded Age philanthropist, who famously lost her first husband George D. Widener in the Titanic, Mrs. Hamilton Rice (née Eleanore Elkins and also known as Eleanor Elkins Widener, 1862-1937) commissioned Horace Trumbauer in the early 1920s to build a townhouse in New York that was then filled with French furniture and decorations. The interiors were executed in a restrained Louis XVI manner typical of the taste for recreating French interiors among American collectors during the first quarter of this century. Several of the rooms originated from various Parisian tels and Joseph Duveen was responsible for the interior decoration and furnishing of the residence. Much of her collection is now in the Philadelphia Museum of Art. This pair of secrétaires à encoignure are recorded in the second floor hall of this New York residence. However, interestingly, they also appear in the Grand Salon at Miramar, Mrs. Hamilton Rice’s Newport summer residence also designed by Trumbauer. It is possible that these pieces work moved seasonally from one location to another, suggesting that Mrs. Hamilton Rice was particularly fond of them.
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