A SET OF FOUR REGENCY SIMULATED ROSEWOOD AND PARCEL-GILT ARMCHAIRS
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A MATCHED SET OF FOUR REGENCY SIMULATED ROSEWOOD AND PARCEL-GILT ARMCHAIRS

IN THE MANNER OF GEORGE SMITH, CIRCA 1810

Details
A MATCHED SET OF FOUR REGENCY SIMULATED ROSEWOOD AND PARCEL-GILT ARMCHAIRS
IN THE MANNER OF GEORGE SMITH, CIRCA 1810
Each scrolled back with curved panelled toprail with anthemion and lion mask decoration, above a curved X-shaped splat centred by a flowerhead, the scrolled arm supports with paw terminals, above a caned seat with later buttoned grey suede squab cushion on panelled and foliate sabre legs headed with anthemion, refreshments to decoration, two chairs with tipped feet
34½ in. (88 cm.) high; 22 in. (56 cm.) wide; 20½ in. (52 cm.) deep (4)
Provenance
A pair acquired from Christopher Davis Antiques, New South Wales, Australia, 29 April 1971.
A single chair acquired Jeremy Ltd., London, 20 May 1980.
Another single chair acquired Kenneth Neame Ltd., London, 2 July 1982.
Special notice
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.

Brought to you by

Elizabeth Wight
Elizabeth Wight

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Lot Essay

The decoration is inspired by the drawings of the celebrated connoisseur Thomas Hope (d.1831), whose Household Furniture and Interior Decoration, published in 1807, promoted designs drawn from the ancient civilisations of Egypt, Greece and Rome. Such designs were popularised by George Smith in his Collection of Designs for Household Furniture and Interior Decoration, 1806.

Closely related chairs were in the collection of the playwright Edward Knoblock (d. 1945), who was prominent among buyers at the 1917 sale of Deepdene, Surrey, the country home descended from Thomas Hope. This sale was the touchstone for a revival of interest in the Regency period and Knoblock established himself as one of the earliest and most influential collectors in the field. He formed an important collection first at The Beach House, Worthing, and later at 11 Montagu Place, London, where chairs similar to the present lot were photographed for Christopher Hussey, 'Four Regency Houses', Country Life, 11 April 1931, pp.450-456, figs. 4 and 7.

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