A PAIR OF GEORGE III MAHOGANY 'HARVEY' OPEN ARMCHAIRS
A PAIR OF GEORGE III MAHOGANY 'HARVEY' OPEN ARMCHAIRS
A PAIR OF GEORGE III MAHOGANY 'HARVEY' OPEN ARMCHAIRS
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Specified lots are being stored at Crozier Park Ro… Read more
A PAIR OF GEORGE III MAHOGANY 'HARVEY' OPEN ARMCHAIRS

ATTRIBUTED TO GILLOWS, CIRCA 1780

Details
A PAIR OF GEORGE III MAHOGANY 'HARVEY' OPEN ARMCHAIRS
ATTRIBUTED TO GILLOWS, CIRCA 1780
Each shield-shaped back centred by wheatsheaves above plumes, a roundel and quarter-rosette, the shoulders carved with trailing husks, above channelled arms and a bowed caned seat, on tapering channelled square legs and block feet, stamped RE to backrail, with yellow squab cushion
37 in. (94 cm.) high; 23 in. (58 cm.) wide; 20 ½ in. (52 cm.) deep
Provenance
Almost certainly supplied to John Harvey and by descent with the Harvey Family, Ickwell Bury, Bedfordshire (part of a set of ten or more armchairs and a pair of window seats en suite) and by descent until it the house was sold by John Audley Harvey in 1924.
With Norman Adams, mid-1980s, by whom sold to
D.K.F. Heathcote Esq., Badlingham Manorl; sold Vosts, Newmarket, 16 September 1999, lot 37 (part lot).
With Norman Adams, circa 2000.
Literature
1819 Inventory, Ickwell Bury.
One chair (from a group of six sold by Norman Adams in 1965): C. Claxton Stevens and S. Whittington, 18th Century English Furniture, The Norman Adams Collection, London, 1983, p. 82.
C. Claxton Stevens 'A group of Seat Furniture stamped RE', The Journal of the Regional Furniture Society, Vol. XII, 1998, pp.156-159.
C. Claxton Stevens and S. Whittington, Norman Adams, London, 2000, pl. 10 (two pairs of armchairs, including this pair, and a pair of windowseats).
Special notice
Specified lots are being stored at Crozier Park Royal (details below) or will be removed from Christie’s, 8 King Street, London, SW1Y 6QT by 5.00pm on the day of the sale. Christie’s will inform you if the lot has been sent offsite. If the lot has been transferred to Crozier Park Royal, it will be available for collection from 12.00pm on the second business day following the sale. Please call Christie’s Client Service 24 hours in advance to book a collection time at Crozier Park Royal. All collections from Crozier Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s, 8 King Street, it will be available for collection on any working day (not weekends) from 9.00am to 5.00pm Cancellation under the EU Consumer Rights Directive may apply to this lot. Please see here for further information.

Brought to you by

Amelia Walker
Amelia Walker Director, Specialist Head of Private & Iconic Collections

Lot Essay


Designed in the antique fashion promoted in the 1770s by the architect James Wyatt (d. 1813), the suite of furniture to which this pair of chairs belong is likely to have been commissioned by John Harvey for the Breakfast parlour at Ickwell Bury, Bedfordshire. It would have originally comprised twelve armchairs and two window-seats. Harvey was described by the Hon. John Byng (1742/3-1811), later 5th Viscount Torrington, as 'studious, quiet, prudent, and polite with never failing duty ...' (The Torrington Diaries, vol. IV, 1794). Ickwell Bury was built for the John Harvey (the first of many descendents of that name) in the 1680s, and the Harvey family lived in the house until 1924. Sadly Ickwell Bury was destroyed by a fire in 1937; the house was illustrated before the fire in Country Life, 5 May 1955, p. 1177, no. 10.
The suite was probably supplied to John Harvey by the firm of Gillows of London and Lancaster. A comparable design for the heart-shaped back of the chairs and seats is illustrated in L. Boynton, Gillows Furniture Designs 1760-1800, Royston, 1995, fig. 272. Though the design is typical of the furniture Gillows was producing at this time, the 'RE' stamp found on all the components of this suite may suggest it was made by another cabinet-making firm, sub-contracted by Gillows. Claxton Stevens suggests one possible explanation for the 'RE' stamp: it may refer to Richard and Robert Edmunson or Edmonson. This Liverpool-based cabinet-making firm was started in 1781, with an upholstery branch added in 1788. Both Richard and Robert are recorded as freemen of Lancaster and are known to have worked for Gillows on a number of occasions. Further evidence is provided by a pair of George III hall chairs, also stamped 'RE', sold anonymously, Christie's, London, 11 February 1999, lot 2. These chairs follow a design by Gillows, illustrated ibid, as fig. 255.
It is also possibe, however, that the RE stamp is the brand of a journeyman in the employ of Messrs. George Seddon, Sons and Shackleton, as it can be found on a caned painted beech chair similar in design to a set of eighteen painted satinwood chairs supplied by George Seddon, Sons and Shackleton to D. Tupper for Hauteville House, Guernsey, in 1790 (C. Claxton Stevens, 'A group of Seat Furniture stamped RE', The Journal of the Regional Furniture Society, Vol. XII, 1998, p. 158, fig. 6).
Norman Adams sold six armchairs from the suite in 1959 and again in 1963. A further set of four armchairs, including the present pair, and the window-seats from the suite were also handled by Norman Adams in the mid-1980s, who sold them to Mr Heathcote of Badlingham Manor. Norman Adams subsequently reacquired them following the sale of Heathcote's collection in 1999.

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