拍品專文
A pair of similar massive cloisonné enamel cranes shown in situ in the Palace of Heavenly Purity are illustrated by Wango-go Weng and Yang Boda, The Palace Museum: Peking, Treasures of the Forbidden City, New York, 1982, p. 51. Cranes of this size and type were placed before the throne and symbolized auspiciousness and longevity.