Lot Essay
This distinctive glaze seeks to re-create the famous classical Jun wares of the Song period. The splashes and streaks characteristic of this glaze are described as yao bian, or 'transmutation glaze', and has been the subject of much research. See R. Kerr, Chinese Ceramics: Porcelain of the Qing Dynasty 1644-1911, p. 75, and N. Wood, The Evolution of the Chinese Copper Red, Chinese Copper Red Wares, University of London, pp. 29-30 for discussion on this topic.
Compare the impressed four-character mark with that on a flambe-glazed amphora in the Nanjing Museum, illustrated in Imperial Kiln Porcelain of Qing Dynasty: Gems of Collections in Nanjing Museum, Shanghai, 1997, no. 16. For a discussion on the inspiration of the shape of this rare vase, see the footnote for lot 513 in this catalogue.
(US$45,000-60,000)
Compare the impressed four-character mark with that on a flambe-glazed amphora in the Nanjing Museum, illustrated in Imperial Kiln Porcelain of Qing Dynasty: Gems of Collections in Nanjing Museum, Shanghai, 1997, no. 16. For a discussion on the inspiration of the shape of this rare vase, see the footnote for lot 513 in this catalogue.
(US$45,000-60,000)