A SEVRES BISCUIT FIGURE OF CUPID OR 'L'AMOUR' MENACANT', ON A BLEU NOUVEAU BASE
A SEVRES BISCUIT FIGURE OF CUPID OR 'L'AMOUR' MENACANT', ON A BLEU NOUVEAU BASE

CIRCA 1760, AFTER THE FALCONET MODEL OF 1758

Details
A SEVRES BISCUIT FIGURE OF CUPID OR 'L'AMOUR' MENACANT', ON A BLEU NOUVEAU BASE
Circa 1760, after the Falconet model of 1758
The winged Cupid seated on a rock holding his right index finger to his lips, his left hand on the quiver of arrows at his left, the separate base inscribed 'Qui que tu sois, voici ton maitre Il le fut, il l'est, ou doit l'etre' within a tooled gilt band reserved on the blue ground on the serpentine front panel, the four remaining panels similarly reserved and painted with flower sprays

9in. (22.8cm.) high, Cupid (2)
Provenance
With Bensimon, rue Royal, Paris, 1970

Lot Essay

The figure of Cupid was originally conceived by Falconet in marble in 1755 and exhibited at the Salon of that year. When he became director of the Sèvres porcelain factory in 1758, Falconet adapted the model to be executed in biscuit porcelain.
The bases are often glazed, with inscriptions reserved against a variety of ground colours, most often bleu lapis or bleu Nouveau. They are also known in biscuit with the inscription enameled in blue.
See Carl C. Dauterman, The Wrightsman Collection of Porcelain, Metropolitan Museum of Art, New York, 1970, nos. 119 a&b; Rosalind Savill, Catalogue of Sèvres Porcelain, The Wallace Collection, London, 1988, vol. ii, pp. 823-834; and Aileen Dawson, French Porcelain, A Catalogue of the British Museum Collection, London, 1994, nos. 141 and 143.

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