A soft-metal-inlaid silver vase
A soft-metal-inlaid silver vase

Meiji-Taisho period (early 20th century), signed Yumin (Ametani Yumin;?-1939)

Details
A soft-metal-inlaid silver vase
Meiji-Taisho period (early 20th century), signed Yumin (Ametani Yumin;?-1939)
The globular form inlaid in gold and copper with grape vines, the signature on body
11 ¾ in. (29.8 cm.) high
With original wood box titled Ametani Yumin saku gin sei kabin tsuta zogan (A silver vase with inlaid vine by Ametani Yumin) on lid, sealed and signed Ametani Yumin on the reverse side
Literature
Kuo Hong-Sheng and Chang Yuan-Feng, chief eds. et al., Meiji no bi / Splendid Beauty: Illustrious Crafts of the Meiji Period (Taipei: National Taiwan Normal University Research Center for Conservation of Cultural Relics, 2013), p. 249.

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Priscilla Kong
Priscilla Kong

Lot Essay

In the early 20th century, the Japanese artists started to integrate and adapt the Western artistic influence into various fields. The purely decorative and elegant style of naturalistic flowers characteristic of Art Nouveau had a great impact on Japanese artists. It inspired them to pursue more creative designs and to re-construct traditional Japanese design with a Westernized decorative essence as shown on the present lot.
Yumin first apprenticed to the great metal artist, Unno Shomin (1844-1915) and later to Ida Shichinosuke in Tokyo. The art name Yumin is composed of the character "yu" from "Yukoku", Shichinosuke's art name, and "min" from the name of his father-in-law "Minkoku", and is a tribute to both of his great masters.

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