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A TEADUST-GLAZED VASE
A TEADUST-GLAZED VASE
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A TEADUST-GLAZED VASE

QIANLONG SIX-CHARACTER INCISED SEAL MARK AND OF THE PERIOD (1736-1795)

Details
A TEADUST-GLAZED VASE
QIANLONG SIX-CHARACTER INCISED SEAL MARK AND OF THE PERIOD (1736-1795)
The vase has a compressed body and cylindrical neck and is covered overall with an opaque glaze of finely mottled dark yellowish-green color that continues into the interior and also covers the base. The foot is covered with a dark wash.
13 in. (33 cm.) high
Provenance
Pauline (1882-1956) and Potter Palmer II (1875-1943) Collection, Chicago, before 1937.
The Art Institute of Chicago, accessioned in 1937.

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Olivia Hamilton (高麗娜)
Olivia Hamilton (高麗娜) Chinese Ceramics & Works of Art

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Lot Essay

During the reigns of the Yongzheng and Qianlong Emperors there was significant experimentation at the imperial kilns to increase the range of fine monochrome wares. Subsequently, during the early- to mid- 18th century, the number of different monochrome glazes produced at Jingdezhen expanded considerably. The aim was not only to produce attractive colors, but also to achieve interesting textures.
Cha ye mo, or ‘teadust’ glaze, was used as early as the Tang dynasty on ewers and small cups produced at the Yaozhou kilns. However, it was not until the early 18th century, during the reign of the Yongzheng Emperor, that the glaze was used on a wide scale. Because of the matte texture and subdued color of the teadust glaze, it was favored for use on ceramic vessels whose shapes were based on bronze prototypes.
Teadust-glazed vases of this shape and size, also with Qianlong incised seal marks, have been published by R. Kerr, Chinese Ceramics, Porcelain of the Qing Dynasty 1644-1911, London, 1986, fig. 25; and by R. Krahl, Chinese Ceramics from the Meiyintang Collection, vol. 2, London, 1994, no. 936. See, also, the example sold at Christie’s Hong Kong, 1 December 2009, lot 1909, and the example sold at Christie’s New York, 17 March 2017, lot 1245.

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