Browse Lots

Global notice COVID-19 Important notice
No VAT will be charged on the hammer price, but VA… Read more


Of cylindrical section, the finial carved in the round with a recumbent bactrian camel turned facing the rear, the hair and features finely detailed, the underside carved in positive relief with a four-character inscription reading zhi bu zu zhai, the well-polished stone of an even pale white tone
1¼ in. (3.2 cm.) high
Special notice

No VAT will be charged on the hammer price, but VAT at 15% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Brought to you by

Marco Almeida
Marco Almeida

Check the condition report or get in touch for additional information about this

Condition report

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

This exceptionally well-carved jade seal bears the four characters Zhi bu zu zhai, which may be translated as Studio of Insufficient Knowledge. The name of this studio suggests that its owner wished to indicate his appreciation of the Confucian virtues, one of which was the continuous acquisition of knowledge. In the Lunyu or Analects, a collection of writings about Confucius and his thoughts, probably dating to the 5th century BC and possibly compiled by his disciples, there is extenisve discussion of the characteristics of 'the superior man'. In chapter two of the Analects is a section which has been translated by James Legge as reading: 'The Master said: "If a man keeps cherishing his old knowledge, so as continually to be acquiring new, he may be a teacher of others."' In chapter eight another section reads: 'The Master said: "Learn as if you could not reach your object, and are always fearful lest you should not attain it."' Hence the name Studio of Insufficient Knowledge indicates a continuous desire to learn.

Camels are quite rare on seals, but two-humped Bactrian camels were valuable domestic animals in northern China for more than a thousand years. In the Han dynasty they were used in great numbers in the caravans that transported trade goods and military equipment across the deserts of Central Asia, and continued to play an important part in trade along the Silk Route. In the Tang dynasty camels were very highly prized and were sent as gifts and tribute to the emperor, and were also captured as spoils of war. Camels continued to be used to carry goods across central Asia into the 20th century, and indeed there are published photographs from the early 20th century showing camel trains entering Beijing.

Camels were much valued and were frequently listed along with precious materials, such as silver and gold. Some were kept as fighting camels, some provided personal transport, and most importantly they were linked to wealth because of their part in trade. It has been said that some of the trade across the Gobi and Tasim would not have been possible without their ability to sniff out subterranean springs and provide early warning of deadly sandstorms. Significantly for the current white jade camel, living white camels were especially prized, and in Tang times often provided the means of transport for officials known as 'Emissaries of the Bright Camels'.

More from Fine Chinese Ceramics and Works of Art

View All
View All