A Very impressive and large Italian framed Micromosaic panel of the Roman Forum
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A Very impressive and large Italian framed Micromosaic panel of the Roman Forum

IN THE MANNER OF DOMENICO MOGLIA, ROME, CIRCA 1865

Details
A Very impressive and large Italian framed Micromosaic panel of the Roman Forum
In the manner of Domenico Moglia, Rome, Circa 1865
The panel finely inlaid, depicting the Temple of Saturn with the Roman Forum from the Capitoline Hill, to the left the Baroque church of SS. Luca e Martina, the Temple of Vespasian, and the Arch of Septimus Severus; in the distance, the Colosseum, the church of S. Francesca Romana and the Arch of Titus; to the right, in the mid-distance, the columns of the Temple of Castor and Pollux, and the church of S. Maria Antiqua, above which is the Palatine, within a giltwood and ebonised frame, decorated with scrolling leaves and ribbon-tied garland surround
The micromosaic panel: 31 in. (79 cm.) high; 59 in. (150 cm.) wide;
Overall: 47 in. (120 cm.) high; 73½ in. (187 cm.) wide
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis

Lot Essay

The technique of the miniature mosaic originates from Antiquity. It was continued and developed by the Byzantine mosaicists. Originally, the technique was based on the use of true marbles and pietre dure in the composition of the images.
From 1576 onwards, when the Vatican Mosaic Workshop was established for the embellishment of St. Peter's, the city of Rome became renowned for this technique throughout Europe. The micro-mosaic technique was further developed in the late 18th and early 19th century, making use of minute tesserae of fired coloured glass, derived from the multi-coloured strips, the smalti filati, produced in Venice, which placed next to each other, create painterly effects. The increasing demand for Roman mosaics made possible the flourishing of several independent workshops in the capital.
Vedute, usually depicting famous sights in and around Rome, such as the present lot, had long been popular with the grand tourist and these mosaics were produced for such a market. Their appeal was further heightened by their appearance at the International Exhibitions in Europe during the second half of the 19th century.

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