Trilogy: The Place, The Man, The Job, 1943

細節

A.G. Rizzoli (1896-1981)
Trilogy: The Place, The Man, The Job, 1943
ink and graphite on paper
10 x 6 in. (Place); 9 x 6 1/8 in. (Man); 11 x 6 in. (Job)

出版

Jo Farb Hernandez, John Beardsley and Roger Cardinal, A.G. Rizzoli: Architect of Magnificent Visions (Harry N. Abrams, Inc. in association with the San Diego Museum of Art, 1997), p. 31 (The Man), pp. 46 and 113 (The Place).
Intuit: The Center for Intuitive and Outsider Art, Unreal Realms (Intuit, 2017), ill.

展覽

San Diego Museum of Art; Atlanta, High Museum of Art; New York, Museum of American Folk Art; and San Francisco Museum of Modern Art, A.G. Rizzoli: Architect of Magnificent Visions, 22 March - 18 May 1997 (San Diego), 6 September - 29 November 1997 (Atlanta), 10 January - 8 March 1998 (New York), 28 March - 24 May 1998 (San Francisco).
Chicago, Intuit: The Center for Intuitive and Outsider Art, Unreal Realms, 20 January - 26 March 2017.

拍品專文

In keeping with Rizzoli's love of wordplay, The Man in this series is Vincent Argent Reamer, a name that can be roughly translated from the Latin and Italian vincenzo argento reame to mean Champion Silver Kingdom, speaking to the larger ambitions and presumed success of Y.T.T.E.

Trilogy: The Place, The Man, The Job, 1943

拍品專文

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