Alexander Calder (1898-1976)
Alexander Calder (1898-1976)

Untitled

Details
Alexander Calder (1898-1976)
Untitled
signed, dedicated and dated 'à Em. et Steffi Langui Sandy Calder '64' (along the lower edge)
gouache and ink on paper
108 x 74.5cm.
Executed in 1964
Provenance
Collection Emile and Stephy Langui, Brussels (acquired directly from the artist in 1964).
Acquired from the above by the present owner in 2008.
Exhibited
Charleroi, Palais des Beaux-Arts, Biennale de la Critique 1972-73, 1973-74, 1975, no. 57.
Further details
This work is registered in the archives of the Calder Foundation, New York, under application number A28700.

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Lisa Snijders
Lisa Snijders

Lot Essay

Alexander ‘Sandy’ Calder dedicated this work to Emile Langui and his wife Stephy in 1964. Langui was a Belgian art historian, curator, and decorated resistance hero during World War II, celebrated for his efforts to retrieve looted art from the Nazis, most notably the Van Eyck brothers’ Ghent Altarpiece. He had an expansive network within the art world and wrote on a broad spectrum of artistic genres, from fifteenth century Flemish portraiture to modern sculpture. As curator of the 1958 World Exhibition of Brussels six years prior, Langui had exhibited Calder’s kinetic sculpture The Whirling Ear in front of the US Pavilion. Calder and Langui were kindred spirits: the first studio artist to receive a Presidential Medal of Freedom, Calder was a non-ideological proponent of peace boasting a wide variety of artistic interests. An exceptional work from the collection of Emile and Stephy Langui, this playful composition of black ink and brightly coloured dots is a testament to their relationship.

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