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Mauboussin has a long and illustrious history, beginning in 1827 when Mr. Rocher and Baptiste Noury established a jewelry shop in Paris. In 1850, Noury assumed control of the business which, in 1896, was transferred to his nephew, Georges Mauboussin. During the first four decades of the new century, Mauboussin contributed exhibits to the major international expositions including Milan in 1923 and 1924; Strasbourg, 1924; New York, 1939; and Paris, 1925, 1931 and 1937. At the 1925 Exposition des Arts Dcoratifs in Paris, they were awarded the Grand Prix and, for his contributions to the world of joaillerie, Georges Mauboussin was given the prestigious "Legion d'Honneur." During the 1920s, the firm maintained branches in London, Buenos Aires, New York and Palm Beach. Mauboussin is most noted for their creations during this decade, at the height of the art deco period when they produced not only important designs in the rectilinear style characteristic of the decade but they also introduced truly remarkable jewelry that has come to be known as "Tutti Frutti" or "fruit salad." These jewels featured naturalistically engraved gemstones in leaf, berry and blossom shapes that were based on the Islamic flower cult of the Mughal emperors. Although these gemstones were not as valuable as perfectly cut stones, their polychromatic effects were so striking that they became sought after by discriminating clients during the period. This sautoir is an example of the best "Tutti Frutti" offerings from Mauboussin in which the engraved gemstones are incorporated into the design of both the pendant and neck chain. The "Vase de fleurs" pendant is made up of a hexagonal diamond-set flower pot centered by an emerald engraved with a flower. Out of the pot grows a diamond-set stem from which spring engraved ruby and sapphire flowers and emerald leaves. As a nod to the geometrical paradigm of the period, on either side of the floral bouquet is a stepped contour, reflective of the abstract patterning found on the architecture of ancient civilizations such as Babylonian ziggurats and stepped Mayan and Aztec temples. A small black onyx sphere on each step softens the pure linear design which could otherwise have been static. A simple black onyx ring joins the pendant to the neck chain. The latter consists of alternating links of floral clusters, each with an engraved ruby blossom surrounded by emeralds, sapphires and diamonds, and separated by onyx rings to diamond, emerald and black onyx barrel shaped links. As a remarkable feature of this necklace, its reverse which is just as beautifully crafted as the obverse with all the engraved gemstones also engraved on the underside. Mauboussin created "Tutti Frutti" necklaces at the end of the 1920s, featuring them in their Vogue advertisements in December 8, 1928, November 9 and December 7, 1929. The drawing for the pendant is illustrated in Mauboussin by Marguerite de Cerval (Paris: Editions du Regard, 1992), page 79; a sketch for the sautoir is included on page 8 of the firm's promotional book, Mauboussin Joaillier

Suspending a pendant, designed as a circular, single and old European-cut diamond vase, centering upon a carved hexagonal cabochon emerald, extending carved ruby, sappire and emerald blossoms and leaves, enhanced by black enamel detail, from an onyx hoop, to the neckchain, designed as a series of circular-cut diamond links, each centering upon a carved ruby leaf, enhanced by calibré-cut sapphires and emeralds, alternating with single-cut diamond and calibré-cut emerald barrel-shaped links, enhanced by onyx and black enamel detail, mounted in platinum, 1927, with French assay mark and maker's mark (indistinct)
By Mauboussin, no. 025755
With certificate of authenticity dated 9 November 2009 from Mauboussin, stating that the pendant and neckchain are recorded in the archives as nos. 90234 and 90269, dated 22 June and 1 July 1927, respectively
Mauboussin Catalogue, circa 1929, page 11

Masterpieces Magazine, The Keystone Publishing Company, May 1928, Volume 5, No. 2, back cover

Lot Essay

Cf. Marguerite de Cerval, Mauboussin, Editions du Regard, Paris, 1992, page 79

Cf. Suzanne Tennenbaum and Janet Zapata, Jeweled Garden: A Colorful History of Gems, Jewels and Nature, The Vendome Press, New York, 2006, page 75

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