Lot Essay
This elegantly serpentined chair is designed in the 'picturesque' manner popularised by Thomas Chippendale's Gentleman and Cabinet-Maker's Director of 1754. Two indicators suggest that this chair may in fact have been made by Chippendale himself. The first is that its particular rail-pattern, with hollowed and reed-banded frame enriched with foliated cartouches at centre and corners, as well as its scroll feet, derived exceptionally closely from a pattern for chair in the third edition of the Director, 1762, pl. XXIII.
The second indicator is the existence of the same pattern of reed-enriched arms on a suite of Drawing Room chairs commissioned by the 5th Earl of Dumfries for Dumfries House, Scotland, and invoiced by Chippendale in 1759 (C. Gilbert, The Life and Work of Thomas Chippendale, London, 1978, vol. I, pp, 130-139 and vol. II, p. 86, pl. 139). A set of chairs sold at Sotheby's New York, 21 October 2002, lot 197, has the same arm as these chairs and the same shape of back as the present chair.
The second indicator is the existence of the same pattern of reed-enriched arms on a suite of Drawing Room chairs commissioned by the 5th Earl of Dumfries for Dumfries House, Scotland, and invoiced by Chippendale in 1759 (C. Gilbert, The Life and Work of Thomas Chippendale, London, 1978, vol. I, pp, 130-139 and vol. II, p. 86, pl. 139). A set of chairs sold at Sotheby's New York, 21 October 2002, lot 197, has the same arm as these chairs and the same shape of back as the present chair.