A GEORGE III CUT-GLASS SIXTEEN-LIGHT CHANDELIER
A GEORGE III CUT-GLASS SIXTEEN-LIGHT CHANDELIER
A GEORGE III CUT-GLASS SIXTEEN-LIGHT CHANDELIER
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A GEORGE III CUT-GLASS SIXTEEN-LIGHT CHANDELIER
8 More
Specified lots are being stored at Crozier Park Ro… Read more THE DESMOND HEYWARD COLLECTION, FROM HASELEY COURT, OXFORDSHIRE
AN EARLY VICTORIAN CUT-GLASS SIXTEEN-LIGHT CHANDELIER

ATTRIBUTED TO PERRY & CO., MID-19TH CENTURY

Details
AN EARLY VICTORIAN CUT-GLASS SIXTEEN-LIGHT CHANDELIER
ATTRIBUTED TO PERRY & CO., MID-19TH CENTURY
Of elaborate form, with baluster shaft and two tiers of spiralling scrolled branches extensively hung with swags and pendant drops and with shepherd's crook cresting above a further band of shepherd's crooks surmounted by obelisks, minor losses and replacements, now fitted for electricity
76 ¾ in. (195 cm.) high; 46 in. (117 cm.) diameter
Provenance
with Fileman Antiques Ltd., London.
Acquired from Partridge Fine Art, London.
Special notice
Specified lots are being stored at Crozier Park Royal (details below) or will be removed from Christie’s, 8 King Street, London, SW1Y 6QT by 5.00pm on the day of the sale. Christie’s will inform you if the lot has been sent offsite. If the lot has been transferred to Crozier Park Royal, it will be available for collection from 12.00pm on the second business day following the sale. Please call Christie’s Client Service 24 hours in advance to book a collection time at Crozier Park Royal. All collections from Crozier Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s, 8 King Street, it will be available for collection on any working day (not weekends) from 9.00am to 5.00pm

Brought to you by

Amelia Walker
Amelia Walker Director, Specialist Head of Private & Iconic Collections

Lot Essay


This impressive chandelier displays various distinctive features common to the oeuvre of the renowned 19th century chandelier makers Perry & Co. Aside from the general form, which is typical of their output, most notable amongst these features are, perhaps, the scrolling twisted glass decorative scrolls and branches and the ribbed facet cutting to the principal structural elements. Two comparable examples made by the firm, of similar date but of more modest form, are illustrated in M. Mortimer, The English Glass Chandelier, Suffolk, 2000, pp. 153-154, pls. 91 & 92.

In 1803 William Perry, formerly of Perry and Collins, went into partnership with Samuel Parker who had carried on the renowned lighting business founded by his father, William Parker, in the late 1760s. The Parker name had gained fame amongst the most fashionable members of Georgian society securing notable commissions such as that for William, 5th Duke of Devonshire for Chatsworth, circa 1782-3. The Parker & Perry partnership continued until the death of Samuel in 1817, at which time William Perry founded his own firm operating from 72 New Bond Street as ‘Glass Manufacturer to the Prince Regent'. What would become Perry & Co. passed down through various members of the Perry family. The firm remained at their Bond St. premises until 1890 but continued trading into the 20th century.

A substantial chandelier attributed to Perry & Co, was sold, Sotheby’s New York, 2 Nov 2011, lot 307; a closely related pair of chandeliers, unattributed at the time of sale but clearly the work of the firm, were sold, Sotheby’s, New York, 5 July 1996; and a further pair of related chandeliers of smaller scale and much less ambitious design, thought to have been supplied for Dublin Castle, formerly in the collection of Vicenzo Forte, were sold, Bonham’s, London, 25 November 2017, lot 65.

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