AN EMPIRE ORMOLU-MOUNTED, GILT AND 'PATINATED' BISCUIT PORCELAIN AND BIRCH SIDE TABLE
AN EMPIRE ORMOLU-MOUNTED, GILT AND 'PATINATED' BISCUIT PORCELAIN AND BIRCH SIDE TABLE
AN EMPIRE ORMOLU-MOUNTED, GILT AND 'PATINATED' BISCUIT PORCELAIN AND BIRCH SIDE TABLE
AN EMPIRE ORMOLU-MOUNTED, GILT AND 'PATINATED' BISCUIT PORCELAIN AND BIRCH SIDE TABLE
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Please note this lot will be moved to Christie’s F… Read more
AN FRENCH ORMOLU-MOUNTED, GILT AND 'PATINATED' BISCUIT PORCELAIN AND BIRCH SIDE TABLE

THE PORCELAIN UPRIGHTS BY DAGOTY, PARIS, CIRCA 1805

Details
AN FRENCH ORMOLU-MOUNTED, GILT AND 'PATINATED' BISCUIT PORCELAIN AND BIRCH SIDE TABLE


THE PORCELAIN UPRIGHTS BY DAGOTY, PARIS, CIRCA 1805
With rectangular black fossilized marble top above a moulded frieze fitted with paterae, on porcelain caryatid supports modelled as Egyptian maidens before a mirrored back, on shaped rectangular stepped plinth
37 ¾ in. (96 cm.) high, 62 ¾ in. (159.5 cm.) wide, 21 ½ in. (54.5 cm.) deep
Provenance
Acquired from Christopher Hodsoll, London, 21 September 1987.
Literature
E. Eerdmans, Henri Samuel: Master of the French Interior, New York, 2018, p. 205.
Special notice
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.
Sale room notice
PLEASE NOTE THE UPDATED DESCRIPTION FOR THIS LOT A "French ormolu-mounted, gilt and ‘patinated’ biscuit porcelain and birch side table".

Brought to you by

Jonathan Rendell
Jonathan Rendell

Lot Essay

Black-decorated, or bronzed, porcelain was first produced in France at the Niderville manufactory in the 1760s inspired by Wedgewood’s novel basaltware. The porcelain factories of Sèvres, Dihl, and Dagoty followed in the early 1800s and perfected the method of bronzed porcelain, often enhancing it with gilt decoration. The caryatid figures of this lot are based on a design of circa 1800 by Charles Percier for a console table in the Egyptian taste, the drawing of which is now retained at the Louvre (inv. RF 30630). Percier's conception is not based on an exact historic prototype, although the original spirit of Egyptian sculpture is clearly evident. These figures intended to depict Egyptian female deities and were sometimes described as nubiennes. Identical porcelain figures following Percier’s design were produced by Dagoty circa 1805, see R. de Plinval de Guillebon, Les Biscuits de Porcelaine de Paris, Dijon, 2012, p. 166, fig. 138. The model was adapted for a mahogany console table supported on the head of Egyptian caryatid figures now in the collection of the Grand Trianon, Versailles. The popularity of the model is evidenced by the fact that the noted bronzier Pierre-Philippe Thomire adapted the model circa 1805 as a pair of candelabra with candle arms issuing from each figure's head.

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