AN ITALIAN SCAGLIOLA TABLE TOP ON LATER BASE
Christie's is selling all lots in this sale as age… Read more
AN ITALIAN SCAGLIOLA TABLE TOP ON LATER BASE

PROBABLY 17TH CENTURY

Details
AN ITALIAN SCAGLIOLA TABLE TOP ON LATER BASE
PROBABLY 17TH CENTURY
Of rectangular form centered by a coat-of-arms within a circular reserve and the ground decorated with oval reserves flowerheads and foliage the border, decorated with simulated guilloche and the angles filled with reserves flowers, restorations, losses on a later ebonized base
24¼ in. (41 cm.) high, 64¾ in. (164.5 cm.) wide, 34¼ in. (87.5 cm.) deep
Provenance
[Presumably] the Hearst Collection.
with McMillen, New York.

Special notice
Christie's is selling all lots in this sale as agent for an organization which holds a State of New York Exempt Organization certificate. Seller explicitly reserves all trademark and trade name rights and rights of privacy and publicity in the name and image of Doris Duke. No buyer of any property in this sale will acquire any right to use the Doris Duke name or image. Seller further explicitly reserves all copyright rights in designs or other copyrightable works included in the property offered for sale. No buyer of any property in the sale will acquire the rights to reproduce, distribute copies of, or prepare derivative works of such designs or copyrightable works.

Lot Essay

The coat-of-arms is that of Don Giosia (d. 1679), Duca d'Atri, Conte di Giulianova, Neapolitan noble, and Marchese dell'Arena, as inherited through his maternal line. He married Donna Francesca Caracciolo from a family of Princes from Torella in 1662.

The design of this scagliola top is based on pietre dure tops of the second half 17th/early 18th century, such as that presented by archduke Cosimo III of Florence to Prince Karl Albrecht of Bavaria in 1716 which is today at Schloss Nymphenburg. That table top with its stand was made in the ducal workshops in Florence after designs by Giovanni Battista Foggini (d. 1715) and Vittorio Crosten. The counterpart to the Nymphenburg example is today at Palazzo Pitti. Both table tops have the classically scrolling foliage with interspersed birds. The borders are differing between the two tables as the Nymphenburg example was re-worked, while the central parts were made in 1704 to the designs of the carver Crosten.

This particular table is unusual as it is set into a white marble ground rather than slate.

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