Andrea Lehmann (b.1975)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
Andrea Lehmann (b.1975)

Diamant Technik

Details
Andrea Lehmann (b.1975)
Diamant Technik
(i) signed, titled and dated 'Andrea Lehmann 2005 Diamant-Technik' (on the reverse)
(ii) signed and dated 'Andrea Lehmann Diamant Technik' (on the reverse)
oil and dammar resin on canvas, in two parts
each: 102 3/8 x 78¾in. (260 x 200cm.)
Executed in 2005
Provenance
Artax Kunsthandel - Ralph Kleinsimlinghaus, Düsseldorf.
Acquired from the above by the present owner in 2005.
Literature
Germania, exh. cat., London, Saatchi Gallery, 2008 (illustrated in colour, pp. 140-141).
Exhibited
Waldkraiburg, Haus der Kunst Waldkraiburg, Unheimlich Jung, 2005 (illustrated on the cover).
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. VAT rate of 20% is payable on hammer price and buyer's premium

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Lot Essay

Delving into a girls world of fantasy and fairytale, Andrea Lehmanns Diamant Technik presents a dream-like adventure scene broadcasting both individual and collective desire. Sourcing her material from the internet, as well as her own imagination, Lehmann draws on the style of Japanese animation to encompass an exotic blend of kitsch naivet and hyper-real sophistication. Translated through painting, Lehmanns heroic tableau confuses the intimate and the monumental, creating a gushy sentimentality at odds with its computerised origins and awesome scale. Often basing her figures on her own likeness, Lehmanns paintings become virtual projections of psychological territories, authoring personal identity as alter ego, constructed through the mesmerising and precarious beauty of media saturation. Andrea Lehmanns figurative alter egos navigate precarious netherworlds where media and myth combine in fantastical landscapes described as ultramodern soul mirrors. Working in massive scale, Lehmann broadcasts individual fantasy as collective desire, authoring her escapism with ironic naivet mimicking the irrepressible jubilance of folk murals and Bollywood billboards.

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