Anglo-Dutch School, circa 1640
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Anglo-Dutch School, circa 1640

Portrait of a young gentleman, full-length, in richly embroidered dress and a lace collar, holding a feathered hat

Details
Anglo-Dutch School, circa 1640
Portrait of a young gentleman, full-length, in richly embroidered dress and a lace collar, holding a feathered hat
oil on canvas
70½ x 38¾ in. (179 x 98.5 cm.)
Provenance
Sir Charles Cospatrick Archibald Douglas-Home, 13th Earl of Home, Douglas Castle, Bothwell Castle and The Hirsel; Christie's, London, 20 June 1919, lot 141, as 'Mytens, Portrait of Lord Darnley' (160 gns. to Leggatt).
S. Hartveld; Christie's, London, 5 April 1935, lot 117, as 'Cornelis Neve' of 'James Stuart, Third Duke of Richmond' (10 gns. to Hartnall).
Hermann de Zoete; Christie's, London, 5 July 1937, lot 60, as 'Cornelis Neve' of 'James Stuart, Third Duke of Richmond' (14 gns. to Hugo).
Exhibited
London, National Portrait Exhibition, 1866, no. 14, as 'Portrait of Lord Darnley', lent by Charles Alexander Douglas, 12th Earl of Home.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis

Lot Essay

The sitter has traditionally been identified as James Stuart (1612-1666), mistakenly referred to as the 3rd Duke of Richmond although his correct titles were 4th Duke of Lennox and 1st Duke of Richmond. This identification appears unlikely on the basis of comparison with accepted portraits of James Stuart. Also elements of the costume, for example the size of the collar, the slit sleeves and high-waisted doublet, date the portrait to the early 1640s. The sitter in this portrait is a young man, probably aged 20 or even younger, while James Stuart would have been 28 years old in 1640. Furthermore James Stuart received the Garter in 1633 and following that date is almost always shown wearing the Garter insignia. The other identification of the sitter as Lord Darnley is untenable as there was no Lord Darnley at this date.

The sitter's costume is particularly luxurious and provides a valuable record of fashion at that date; the collar is finely rendered and the cape, doublet and breeches are embroidered with silver-gilt thread and embellised with silver and silver-gilt lace bows and shoe roses. The sitter's costume suggests that he is more likely to be English than Dutch.
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