A reclining male nude, his left arm raised (recto); Studies of the head of a woman wearing a veil and of a left hand holding a staff (verso)

细节

Antoine Coypel (Paris 1661-1722)
A reclining male nude, his left arm raised (recto); Studies of the head of a woman wearing a veil and of a left hand holding a staff (verso)
black, red and white chalk on blue paper
12½ x 18 7/8 in. (32.3 x 47.7 cm.)

出版

N. Garnier, Antoine Coypel (1661-1722), Paris, 1989, p. 233, no. 551, figs. 473 (recto) and 475 (verso).

注意事项

No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis. Please note Payments and Collections will be unavailable on Monday 12th July 2010 due to a major update to the Client Accounting IT system. For further details please call +44 (0) 20 7839 9060 or e-mail info@christies.com

荣誉呈献

Clemency Henty

查阅状况报告或联络我们查询更多拍品资料

chenty@christies.com +44 (0)20 7389 2541

登入

浏览状况报告

拍品专文

The male nude on the recto is a study for Bellerophon, mounted on Pegasus, battling the Chimera (now lost), which was probably one of Coypel's final works, as it was listed among his unfinished paintings in his son Charles-Antoine's posthumous studio sale in 1753. The same figure appears at the lower left of a compositional study for the painting in the Louvre (inv. 25846). The studies on the verso may relate to the allegorical figure of Religion in Coypel's Louis XIV with Religion, Guile and Strength, engraved by Bernard Picart in 1709.