Bahman Mohasses (Iranian, 1931-2010)
The lot was imported into the UAE for sale and is … Read more PROPERTY FROM A PRIVATE COLLECTION, USA
Bahman Mohasses (Iranian, 1931-2010)

Untitled

Details
Bahman Mohasses (Iranian, 1931-2010)
Untitled
signed and dated ‘B. Mohasses 70’ (lower left); signed twice and dated ‘Bahman Mohasses 1970’ and signed and dated in Farsi (on the reverse)
oil on canvas
19 2/3 x 27 1/2 in. (50 x 70cm.)
Painted in 1970
Provenance
Acquired directly from the artist’s brother, Fereydoon Mohasses by the present owner in 2009.
Special notice
The lot was imported into the UAE for sale and is held in a Designated Zone. VAT at 5% will be added to the buyer’s premium and will be shown separately on our invoice. If the lot is released into GCC/UAE free circulation, import duty at 5% and import VAT at 5% will be payable on the hammer price by you at the Designated Zone before collection of the lot.

Brought to you by

Michael Jeha
Michael Jeha

Lot Essay

A pioneer and influential Iranian artist since the 1960s, Bahman Mohasses was a reclusive artist who mingled with only a few peers, constantly fighting his own demons through life, art and poetry. Known for his dreamlike compositions of semi-human, semi-abstracted figures, he was passionate about Antiquity with its concepts of fragments, waste, ruins, but he also explored the art of the Renaissance and reflected upon the themes of Eros and Pathos throughout his art and career. A distressed artist, he burned and destroyed a great number of his paintings, collages, drawings and sculptures, leaving behind only a handful of works. Other works created before the Iranian Revolution were intentionally destroyed by officials as they were said to be decadent and socially provocative.

Growing up in his native town of Lahijan, an area off the Caspian Coast, initially inspired Mohasses to engage with his surroundings, painting birds, fish, fishnets and the sea. In the present work, the artist abandons any form of perspective, and challenges our notions of space and time, choosing to depict the bird not in flight, but with its shaded contours and form as if it were a sculpture itself, immobile within a fixed position. This is very much like the nature of the artist’s disposition, making the present work a unique sentiment of expression of the artist’s personal life that is embedded in his distinctive style of works.

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