BERTOLINI, Bartolommeo. Trattato di Contrapunta, Trieste: Tipografia Weis, 1844, 12 engraved plates; Trattato di Scherma, Trieste: Tipografia Weis, 1844, 9 engraved plates, one partly hand-coloured; Trattato di Sciabola, Trieste: Tipografia Weis, 1842, 11 engraved plates, one uncalled for, together 3 works in one vol., 8° (spotted throughout), 19th-century roan-backed boards (spine repaired, hinges broken, backstrip nearly detatched) -- BOLOGNINI, Giuseppe Giuliani. Teorie sulla Sciabola, Ferrara: Arciv. Bresciani, 1856, 8° oblong, 15 lithographed plates (several cropped, one repaired, some browning throughout), original blue cloth (rubbed, lower cover soiled, crudely rebacked in cloth); with Mérignac's Histoire de L' Escrime (2 vols., 1883-86) and Baron de Vaux's Les Hommes d' Épée (1882). (5)

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BERTOLINI, Bartolommeo. Trattato di Contrapunta, Trieste: Tipografia Weis, 1844, 12 engraved plates; Trattato di Scherma, Trieste: Tipografia Weis, 1844, 9 engraved plates, one partly hand-coloured; Trattato di Sciabola, Trieste: Tipografia Weis, 1842, 11 engraved plates, one uncalled for, together 3 works in one vol., 8° (spotted throughout), 19th-century roan-backed boards (spine repaired, hinges broken, backstrip nearly detatched) -- BOLOGNINI, Giuseppe Giuliani. Teorie sulla Sciabola, Ferrara: Arciv. Bresciani, 1856, 8° oblong, 15 lithographed plates (several cropped, one repaired, some browning throughout), original blue cloth (rubbed, lower cover soiled, crudely rebacked in cloth); with Mérignac's Histoire de L' Escrime (2 vols., 1883-86) and Baron de Vaux's Les Hommes d' Épée (1882). (5)
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