Charles Walter Simpson, R.B.A., R.I., R.O.I. (1885-1971)
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Charles Walter Simpson, R.B.A., R.I., R.O.I. (1885-1971)

In the shade of the sycamore

Details
Charles Walter Simpson, R.B.A., R.I., R.O.I. (1885-1971)
In the shade of the sycamore
signed 'Charles Simpson' (lower right)
oil on canvas
32 ¾ x 36 in. (83.2 x 91.4 cm.)
Provenance
with Burlington Paintings, London.
Exhibited
Glasgow, Royal Glasgow Institute of Fine Arts, 1951, no. 370.
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. All sold and unsold lots marked with a filled square in the catalogue that are not cleared from Christie’s by 5:00 pm on the day of the sale, and all sold and unsold lots not cleared from Christie’s by 5:00 pm on the fifth Friday following the sale, will be removed to the warehouse of ‘Cadogan Tate’. Please note that there will be no charge to purchasers who collect their lots within two weeks of this sale.

Lot Essay

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The son of a Major-General, Charles Simpson was born in Camberley, Surrey, into a family who had patronised a number of artists, including Millais and Watts. He briefly studied under Lucy Kemp-Welch and in the early 20th century met and befriended Alfred Munnings, whom he accompanied to Cornwall in 1905. Simpson fell in love with the area and soon set up a studio in Newlyn, before going on to marry Ruth Alison, one of Stanhope Forbes's pupils, in 1913. The pair set up a painting school in St Ives and continued to live in Cornwall for most of their lives.

Laura Knight on her arrival in Newlyn in 1907 incorrectly described Simpson as one of Stanhope Forbes's students, although she did say he was one of his best, and added 'He was so prodigal with paint, he could be traced by the colour left on the brushes!'. The use of thick layers of impasto is a defining characteristic of Simpson's work, as evidenced in the present picture, which, in execution, shows the influence of his early mentors, Kemp-Welch and Munnings.

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