陈文希

A seminal figure in the bourgeoning art scene of the 50s and 60s in Singapore, Chen Wen Hsi was part of the group of pioneer artists who set out to discover and depict a uniquely 'Southeast Asian' form of artistic expression. Chen was also in attendance at the Xin Hua Academy of Fine Art in Shanghai in 1930, where he was contemporaneous with the likes of Liu Kang and Chen Chong Swee - with whom he would continue to produce art alongside following their migration to Singapore. The trademarks of Chen's style fall into two broad categories - Chinese ink painting focused on the flora and fauna of the region, and abstract works executed on paper and canvas. While Chen also undertook the study of nudes through his ink and oil paintings, it is for his figurative animal works, as well as abstract compositions that he has become most recognizable.

Four Gibbons and Cherry Blossoms (Lot 133) is an exceptional work of its genre. The lively, iconic gibbons of Chen are represented frolicking playfully amongst cherry blossoms upon a gentle cliff, in a scene that conveys an overall feeling of calm, as well as an appreciation for the beauty and delicacy of nature. This is a painting that demonstrates the height of Chen's ink technique, as well as nostalgia for the Chinese aesthetic. Indeed, Chen's prolific animal paintings have come to be iconic to the region - referencing the unique quality of tropical life through the traditional medium of ink on paper. The fluid lines and thick silhouettes of Catfish (Lot 135) are fine examples of Chen's unique finger painting technique. His quick, gestural application of ink and colour stemmed from a surety and innate understanding of the movement and essence of these animals.