Lot Essay
Part of a dismembered sketchbook of sixty-four sheets once in the possession of Prince Livio Odescalchi and named the ‘animal album’ by Marcel Roethlisberger, this study of a peasant and his two cows can be compared to a number of other drawings in which the animals – cattle, goats and dogs – are more often than not depicted in profile, and which Claude is thought to have made in the Roman campagna in the years 1635-1645 (Roethlisberger, op. cit., nos. 215-222, ill.).