David Brian Smith (B. 1981)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
David Brian Smith (B. 1981)

Great Expectations - A Windy Day

Details
David Brian Smith (B. 1981)
Great Expectations - A Windy Day
signed and dated 'David Brian Smith 2015' (on the overlap)
oil on herringbone linen
86 5/8 x 106 ¼in. (220 x 270cm.)
Painted in 2015
Provenance
Carl Freedman Gallery, Margate.
Acquired from the above by the present owner in 2015.
Exhibited
Margate, Carl Freedman Gallery, Portrait of a Farm, 2015-2016.
London, Saatchi Gallery, Painters' Painters, 2016 (illustrated in colour, pp. 28-29).
Special notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. VAT rate of 20% is payable on hammer price and buyer's premium

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Stefano Amoretti

Lot Essay

From a farming background in Shropshire, David Brian Smith presents contemplative reflections on pastoral life in his landscape paintings, with an intriguing twist. His dreamlike works are rich with psychedelic colours: kaleidoscopic clouds float by in diamond skies, candy-coloured sheep graze in iridescent fields, and bowed, solitary figures stand amongst ethereal flora and fauna. Great Expectations – A Windy Day is influenced by a photograph of a shepherd tending to his flock found by the artist’s mother in a 1930s newspaper. Smith recalls his fondness for the motif, saying that ‘at first I was concerned about repeating the use of the shepherd, but there are so many possible variations of the image that I can explore. Each time I can reinvent the space, light and palette within the picture. I paint on herringbone linen because of its association to rural heritage, to flat caps and tweed jackets. I work on one canvas at a time, and this allows me to delve into and create a world around me. The life-sized scale is important, it makes me feel like part of the scene I’m painting, I hope the viewer has a similar experience.’

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