David Korty (B. 1971)
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David Korty (B. 1971)

Untitled (Trafalgar Square)

Details
David Korty (B. 1971)
Untitled (Trafalgar Square)
graphite and coloured pencil
59 7/8 x 89in. (152 x 226cm.)
Executed in 2004
Provenance
Sadie Coles HQ, London.
Acquired from the above by the present owner in 2004.
Exhibited
London, Sadie Coles HQ, David Korty, 2004.
Special notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction. Specified lots (sold and unsold) marked with a filled square not collected from Christie’s by 5.00 pm on the day of the sale will, at our option, be removed to Cadogan Tate. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage. Please call Christie’s Client Service 24 hours in advance to book a collection time at Cadogan Tate Ltd. All collections will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

Lot Essay

Executed in 2004, David Korty’s Untitled (Trafalgar Square) is a vibrant example of the artist’s distinctive urban landscapes. Through deliquescent washes of red, blue, yellow and green, Korty captures the play of light amid the throng of buildings, trees and people. Operating in the manner of a nineteenth-century flâneur, Korty wanders cities worldwide – initially his native Los Angeles, and later Venice and London – seeking to comprehend the chaotic arenas of human existence. Frequently working from his own photographs, Korty distils his subjects to the point of abstraction, instigating a contemporary dialogue with aesthetics of Impressionism and Post-Impressionism. Combining drips and splashes of colour with a precise and exacting sense of line, works such as Untitled (Trafalgar Square) render the metropolitan ambience in glowing technicolour detail.

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