Lot Essay
This lateral panel from an altarpiece is a characteristic mature work by Defendente Ferrari and reflects both his earlier training under the greatest Piedmontese painter of the late quattrocento, Giovanni Martino Spanzotti, and his knowledge of Northern painting as well as of the works by his Northern Italian contemporaries. With his namesake Gaudenzio Ferrari, Defendente was one of the most successful and productive masters of his generation, working for centres throughout Piedmont, and in particular at Vercelli. According to a note in the Liechtenstein archives, the correct attribution was first proposed by Wilhelm Suida.