Dong Yoo Kim (b. 1965)
This property has been sourced from overseas. Whe… 顯示更多
金東囿

格蕾絲•凱利 V S 克拉克•蓋博

細節
金東囿
格蕾絲•凱利 V S 克拉克•蓋博
油彩 畫布
162.2 × 130 cm. (63 7/8 × 51 1/8 in.)
2013 年作
簽名:KDY 2013(右下)
注意事項
This property has been sourced from overseas. When auctioned, such property will remain under “bond” with the applicable import customs duties and taxes being deferred unless and until the property is brought into free circulation in the PRC. Prospective buyers are reminded that after paying for this lot in full and cleared funds, if they wish to import this lot into the PRC, they will be responsible for and will have to pay the applicable import customs duties and taxes. The rates of import customs duty and tax are based on the value of the goods and the relevant customs regulations and classifications in force at the time of import. The final amounts will be determined by PRC Customs and other competent authorities at the time of import. Neither Christie’s nor the seller warrants or guarantees the accuracy of this information and we are not responsible in any way for any errors or omissions. Potential buyers are responsible for satisfying themselves as to the amount of import customs duty and tax payable for lots which they buy and intend to import into the P

拍品專文

在當代視覺文化發展中,電視、網路的色彩均由一個個如分子大小般帶著顏色的圓點所構成。這種特殊的當代視覺表現深深地影響了當代藝術家對視覺的概念與表現。在金東囿的畫作中,出現以精密排列的人物頭像組成的一個大畫面,形成在觀看他作品時近看是一幅幅小畫像而在遠看時卻是一個顯微放大的人物畫像的奇特安排。在本次拍品中,金東囿運用無數細小的克拉克•蓋博畫像組成格蕾絲•凱利的圖像。然而在當代社會對名人偶像的高度崇拜與認同下,人物的臉孔特徵更成為現今社會的一種象徵與形象。一張張小臉上藝術家簡潔的筆觸可以看出他所受的嚴格訓練,在沒有科技的支持下,他以細膩的亮度漸層構成整張臉。金東囿在一個個由縮小的人物頭像組合而成的大型畫像,他的觀點直接點明當代藝術視覺無限可能的環境下,真實與虛構之間的模糊界限。

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