Edmund Tarbell (1862-1938)
PROPERTY OF AN EAST COAST COLLECTOR
Edmund Tarbell (1862-1938)

Lady in Yellow (Mrs. Codman)

Details
Edmund Tarbell (1862-1938)
Lady in Yellow (Mrs. Codman)
signed 'Tarbell' (lower right)
oil on canvas laid down on board
21 x 16 in. (53.3 x 40.6 cm.)
Painted circa 1904.
Provenance
S. Codman.
Private collection.
Dieninger Gallery.
Steven Straw & Co., Newburyport, Massachusetts.
C.F. Barlow.
Pierce Galleries, Inc., Hingham, Massachusetts.
Dr. and Mrs. A. Glasgow.
Sotheby's, New York, 29 May 1981, lot 30.
Acquired by the present owner from the above.
Literature
Pierce Galleries, Inc., Selected American Paintings, vol. 2, Hingham, Massachusetts, 1975, illustrated.
P.J. Pierce, The Ten, Concord, New Hampshire, 1976, p. 117, illustrated.
P.J. Pierce, Edmund C. Tarbell and the Boston School of Painting: 1889-1980, Hingham, Massachusetts, 1980, pl. 14, illustrated.
University Gallery, University of Delaware, Brandywine Valley to the Bay: Art From Private Collections, exhibition catalogue, Wilmington, Delaware, 1991, p. 132, illustrated.
Exhibited
Boston, Massachusetts, St. Botoloph Club, Paintings of Ten American Painters, April-May, 1905.
Boston, Massachusetts, Copley Society, 1912.
Newburyport, Massachusetts, Steven Straw & Co., 1971.
Hingham, Massachusetts, Pierce Galleries, Inc., 1973.
Boston, Massachusetts, Concourse Gallery of Art, Boston Painters, Past and Present, 1975.
Hingham, Massachusetts, Pierce Galleries, Inc., 1980.
Wilmington, Delaware, University Gallery, University of Delaware, Brandywine Valley to the Bay: Art From Private Collections, October 3-November 3, 1991.

Lot Essay

"Lady in Yellow, identified as Mrs. Codman, was commissioned by the sitter's husband. In complete contrast to the tranquil women of Tarbell's Vermeer-like interiors, Mrs. Codman is presented in a frontal attitude, staring directly at the viewer and occupying a space close to the picture plane. Her features are neither romanticized nor softened, but instead suggest strength and individuality. The sitter is defined by these qualities of expression rather than by the setting. Her considerable presence is intensified by the varying tones of chalky yellow applied with vigorous brushstrokes in the background." (Brandywine Valley to the Bay: Art From Private Collections, exhibition catalogue, Wilmington, Delaware, 1991, p. 132)

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