ROGER HILTON (1911-1975)
ROGER HILTON (1911-1975)
ROGER HILTON (1911-1975)
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Artist's Resale Right ("Droit de Suite"). Artist's… Read more
ROGER HILTON (1911-1975)

Green Grass

Details
ROGER HILTON (1911-1975)
Green Grass
signed and inscribed 'HILTON/GREEN GRASS' (on the reverse)
charcoal and oil on canvas
30 x 36 in. (76.2 x 91.4 cm.)
Painted in 1968.
Provenance
with Waddington Galleries, London, by 1982, where purchased by The Hon. David Thomson in October 1987.
Acquired from Offer Waterman, London in June 2008.
Exhibited
London, Waddington Galleries, 1968, catalogue not traced.
London, Arts Council of Great Britain, Serpentine Gallery, Roger Hilton: Paintings and Drawings 1931-73, March 1974, no. 96.
Special notice

Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

Brought to you by

Amelia Walker
Amelia Walker Director, Specialist Head of Private Collections

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Lot Essay


Stylistically, this lyrical late figure painting falls between the distortions of Figure 1961, once owned by the Tate curator David Brown and bequeathed by him to Southampton City Art Gallery, and the even wilder late drawings and gouaches, made in the 1970s when Hilton was bed-bound by illness. It is among the last oil paintings that Hilton made, and although there was a small group painted in 1970-72 (the final ones on board), 1968-69 marks a final high point of creativity in oils before the artist’s physical decline made easel painting increasingly difficult. Green Grass recalls the marvellous anarchic celebration of his two December 1963 paintings, Oi Yoi Yoi (Tate Gallery, London) and Dancing Woman (National Galleries of Scotland, Edinburgh), while through its forms introducing a further element of organic unfolding and growth. The drawing is looser than ever but no less energetic, and the characteristic Hilton combination of charcoal and oil (figure and ground) is deployed to full effect. The title suggests someone lying on the grass, but perhaps the bone-white figure is buried below the surface, a potent source of regeneration.

We are very grateful to Andrew Lambirth for preparing this catalogue entry.

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