Gabriel-Jacques de Saint-Aubin (Paris 1724-1780)
Gabriel-Jacques de Saint-Aubin (Paris 1724-1780)

The Muse of History carrying a portrait of Monsieur Philippe: for Spectacle de l'Histoire Romaine

Details
Gabriel-Jacques de Saint-Aubin (Paris 1724-1780)
The Muse of History carrying a portrait of Monsieur Philippe: for Spectacle de l'Histoire Romaine
inscribed 'SPECTÂCLE DE L'HISTOIRE ROMAINE' and 'dionisius tacitus suetonius tite livius', signed and dated '.D. ... 1766', 'Pour Mr Philipe-' and 'La Muse de l'histoire, appuiée sur le médaillon de M. Philippe, montre du doit le Globe terrestre, pour indiquer que l'Etude de la Géographie est inséparable de celle de l'histoire. Sur un des livres qui accompagnent le portrait de l'auteur on lit: Spectacle de l'Histoire Romaine; auprès de Clio sont les ouvrages de Tacite, Titeive, Suétone &c.', and with inscription 'G. de St. Aubin del. 1766.' on the mount
black chalk on light brown paper, the portrait in black lead on an applied oval of light blue paper
9 x 6 3/8 in. (225 x 163 mm.)

Lot Essay

This is an unused frontispiece for the Spectacle de l'Histoire Romaine written by Etienne-André Philippe, called Philippe de Prétot (1710-1787) and incompletely published between 1762 and 1778. The project consisted of very precise illustrations of episodes from Roman History accompanied by a text by Philippe. The first twenty plates were announced on 18 August 1762 and the following twenty four years later. These were reprinted respectively in 1776 and 1777. Eight supplementary plates appeared slightly later.
Not only was the complete book never published, but Emile Dacier could not even find any past editions of the book. The prints are known today only through the Abrégé de l'histoire romaine by the Abbé Millot which reuses Philippe's plates. Saint-Aubin designed 28 plates for the original edition while the rest were made by J.B. Piauger, Eisen, Gravelot and a few others. The frontispiece used for Millot's edition is Piauger's, engraved by Tardieu.
The style of this drawing is comparable to one of similar technique dated 1767 in the Louvre (P. Rosenberg, Le Livre des Saint-Aubin, Paris, 2002, no. 11).

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