Gherardo Cibo (Genoa 1512-1597 Rocca Contrada)
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Gherardo Cibo (Genoa 1512-1597 Rocca Contrada)

A rocky arch with figures by a stream, and buildings in a hilly landscape beyond

Details
Gherardo Cibo (Genoa 1512-1597 Rocca Contrada)
A rocky arch with figures by a stream, and buildings in a hilly landscape beyond
with number ‘87’ lower right
black chalk, pen and brown ink and watercolour heightened with white
9 1/8 x 12 7/8 in. (23 x 33 cm)
Provenance
Johann Karl Philipp, Count von Cobenzl (1712-1770), Vienna and Brussels (L. 2858b, the cartouche attached to the mount, attribution ‘Mompre’ [for Joos de Momper] and inscription 'No 4783.' and 'Port. 3').
The State Hermitage Museum, Saint Petersburg (L. 2061); C.G. Boerner, Leipzig, 29 April 1931, lot 163 (as Joos de Momper).
with Herbert Feist, New York.
Anonymous sale; Sotheby’s, New York, 23 January 2001, lot 176.
Literature
G. Mangani and L. Tongiorgi Tomasi, eds., Gherardo Cibo. Dilettante di botanica e pittore di ‘paesi’. Arte, scienza e illustrazione botanica nel XVI secolo, Ancona, 2013, no. 274
Special notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

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Lot Essay

Born into a wealthy and prominent family (among his forebears was Pope Innocent VIII) and gifted in many fields of study, Cibo is best remembered as a botanist and landscape draughtsman. The great majority of his works are landscapes, many done from life, in pen on blue paper, heightened with white (for an overview of his œuvre, see Mangani and Tongiorgi Tomasi, op. cit.). The colourfulness of the present sheet comes closer to the botanical illustrations Cibo produced, and in its ambition, finish and abundant use of watercolour, it can be compared with only a handful of his surviving landscape drawings, including one at the Biblioteca Civica Benedetto Passionei at Fossombrone and another at the State Hermitage Museum (ibid., nos. 84, 240, figs. 66, 108). Of almost startling freshness, the present sheet also once was at the Hermitage until deaccessioned by the Soviet regime in 1931; it had been acquired by Catherine the Great in 1768, together with the major collection of drawings assembled by the Habsburg statesman Karl von Cobenzl (see Provenance).

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