GU QUAN (ATTRIBUE A, XVIIIEME SIECLE)
PROPERTY OF A PRIVATE FRENCH COLLECTOR
GU QUAN (ATTRIBUE A, XVIIIEME SIECLE)

CINQ CENT LUOHAN, ENCRE ET COULEUR SUR PAPIER

Details
GU QUAN (ATTRIBUE A, XVIIIEME SIECLE)
CINQ CENT LUOHAN, ENCRE ET COULEUR SUR PAPIER
Handscroll, ink and colour on paper.
Inscribed and signed with two seals: Chen, Quan, dated eighth month of thirty-seventh year of the Qianlong reign.
With two collector's seal: Qianlong Yulan zhibao, Midian zhulin.
12 ½ x 445 ¼ in. (32 x 1131 cm.)
Provenance
Acquired in France in the early 1980s.
Post lot text
GU QUAN (ATTRIBUTED TO, 18TH CENTURY)
FIVE HUNDRED LUOHAN

Brought to you by

Fiona Braslau
Fiona Braslau

Lot Essay

Arhat or luohan are enlightened monks that were integrated into Buddhism in China as early as the Tang Dynasty. Traditionally, they are usually depicted in groups of four, five, sixteen, eighteen and five hundred.
In this meticulously painted eleven-meter handscroll, five hundred Luohan are lively depicted within a luxuriant mountainous landscape in the gongbi style. According to the Chinese Buddhist tale, the five hundred luohan lived beyond the stone bridge of Mount Tiantai of the Jiuhua Mountain, located in Zhejiang province of China. As depicted in this painting, the long bridge, blocked by a gigantic stone on one side, is said to be a pathway to heaven. This present painting captures the moment in the story just before the luohan open the stone door to paradise.
Gu Quan was a court painter, active during Qianlong Emperor’s reign and was known for his talent to paint figures.




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