Browse Lots

Global notice COVID-19 Important notice
Henry Moore (1898-1986)
Henry Moore (1898-1986)
1 More
On occasion, Christie's has a direct financial int… Read more The Collection of Peggy and David Rockefeller
Henry Moore (1898-1986)

Oval Sculpture

Details
Henry Moore (1898-1986)
Oval Sculpture
white marble
Height: 17 3/8 in. (44.1 cm.)
Carved in 1964; unique
Provenance
Acquired from the artist by the late owners, June 1967.
Literature
A. Bowness, ed., Henry Moore: Sculpture and Drawings, 1964-1973, London, 1977, vol. 4, p. 40, no. 530 (illustrated, p. 41).
D. Mitchinson, ed., Henry Moore: Sculpture, with Comments by the Artist, London, 1981, p. 184, no. 393 (illustrated).
M. Potter et al., The David and Peggy Rockefeller Collection: European Works of Art, New York, 1984, vol. I, p. 332, no. 149 (illustrated, p. 333).
J. Hedgecoe, Henry Moore: A Monumental Vision, Cologne, 2005, p. 230, no. 494 (illustrated).
Special Notice

On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is a lot where Christie’s holds a direct financial guarantee interest.

Brought to you by

General Enquiries
General Enquiries

Check the condition report or get in touch for additional information about this

Condition Report

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay

In 1963 Moore took a holiday home in Forte dei Marmi in Tuscany, where he would spend his summers close to the famous quarries of Carrara. During these years carving, and in particular carving in marble, held a renewed importance for the artist. The qualities of white marble allowed Moore to most fully express the sense of energy and tension that he so clearly sought. As he wrote in 1964, the year the present work was executed, “One of the things I would like to think my sculpture has is a force, is a strength, is a life, a vitality from inside it, so that you have a sense that the form is pressing from inside, trying to burst or give off strength from inside itself, rather than having something which is just shaped from outside and is stopped. It is as though you have something trying to make itself come to a shape from inside itself” (quoted in A. Wilkinson, ed., Henry Moore: Writings and Conversations, Berkeley, 2002, pp. 198-199).
“On one of my banking trips to London in 1967," David Rockefeller reminisced, "I had an opportunity to visit Henry Moore at his studio in Much Hadham…Moore is not only a very great sculptor but a very charming human being. I visited his studio with him and also went outdoors to see some of his larger pieces on the property. At the end of our visit, I saw a white marble sculpture which I liked, and I asked him if I could buy it from him as a memento of the visit…I enjoy having it beside my chair in my study at Ringing Point.” –David Rockefeller

More from The Collection of Peggy and David Rockefeller: Fine Art, Day Sale

View All
View All