Jack Tworkov (1900-1982)
The Collection of Eileen and I.M. Pei
Jack Tworkov (1900-1982)

Note (WS #1)

Details
Jack Tworkov (1900-1982)
Note (WS #1)
signed, titled and dated 'NOTE WS #1 Tworkov 68' (on the reverse)
oil on linen
80 x 70 in. (203.2 x 177.8 cm.)
Painted in 1968.
Provenance
Nancy Hoffman Gallery, New York
Acquired from the above by the late owners, 1980
Literature
K. Baker, "Jack Tworkov," Artforum, 9 April 1971, p. 80.
H. Kramer, "Art: Jack Tworkov's Latest at Whitney," The New York Times, 6 February 1971, p. 25 (illustrated).
R. Griffin, "Tworkov paintings portray gentleness," The Oregonian, 6 October 1974.
M. Schwendener, "Art in Review: Jack Tworkov," The New York Times, 16 March 2007, p. E29.
Exhibited
New York, Whitney Museum of American Art, Jack Tworkov: Recent Paintings, February-March 1971, no. 4.
Toledo Museum of Art, Paintings of Jack Tworkov, October-November 1971.
Hanover, Dartmouth College, Jaffe-Friede Gallery, Jack Tworkov: Winter Term Artist-in-Residence, February-March 1973, n.p. (illustrated).
Denver Art Museum, Jack Tworkov: Recent Paintings, November 1974-January 1975, no. 4.
Cleveland, New Gallery of Contemporary Art; Columbus, Ohio State University, The Sullivant Gallery; Youngstown State University, Kilcawley Center Art Gallery and Cincinnati, The Contemporary Arts Center, Jack Tworkov: Recent Paintings and Drawings 1968-1975, November 1975-April 1976, no. 1 (illustrated).
Glasgow, Third Eye Centre; Edinburgh, Fruitmarket Gallery; Liverpool, Academy Gallery; Belfast, Ulster Museum and Newcastle-upon-Tyne, Hatton Gallery, Jack Tworkov: Paintings 1950-1978, May-December 1979, p. 41, no. 15 (illustrated).
New York, The Solomon R. Guggenheim Museum, Jack Tworkov: Fifteen Years of Painting, April-June 1982, p. 20, no. 3 (illustrated).
Philadelphia, Pennsylvania Academy of the Fine Arts, Jack Tworkov: Paintings 1928-1982, January-April 1987, no. 62 (illustrated).
New York, Mitchell-Innes & Nash, Jack Tworkov: Rhythm, 1955-1970, February-March 2007.
New York, Alexander Gray Associates, Jack Tworkov: Mark and Grid, selected paintings 1931-1982, September-October 2015, p. 31 (illustrated).
Further details
This work is archived as No. 478 in the catalogue raisonné project compiled and edited by Jason Andrew for the Estate of Jack Tworkov.

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Rachael White
Rachael White

Lot Essay

This work is the first painting in a group of two paintings known as the “Winter Series,” or “”WS,” which Tworkov completed in Winter 1968.
Jack Tworkov was a founding member of the “The Club” and leading artist among the First Generation of Abstract Expressionists. There is a downside, however, to being so closely identified with the ideas and concerns encompassed in a label like Abstract Expressionism. Tworkov is the rare artist who not only worked for seven decades (1920s-1980s), but managed to stay connected, adapt, and remain contemporary.
Throughout his career, Tworkov developed a signature style identified by a distinct mark. This mark became more and more analytic and abbreviated as he sought a more neutral method for creating. A method he discovered early on through the repeated mark and later through the introduction of geometry.
Note is a painting that begins the journey toward the implementation of measured structure. Tworkov craved “a simple structure dependent on drawing as a base on which the brushing, spontaneous and pulsating, gave a beat to the painting somewhat analogous to the beat in music.” He soon arrived at an elementary system of measurement implicit in the geometry of the rectangle that became the basis for composing his paintings. These measured fields offered a guide for Tworkov’s gestural spontaneous mark.

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