JASPER JOHNS (B. 1930)
PROPERTY FROM THE COLLECTION OF HARRY W. AND MARY MARGARET ANDERSON
JASPER JOHNS (B. 1930)

Gray Alphabets

Details
JASPER JOHNS (B. 1930)
Gray Alphabets
lithograph in colors, on Rives BFK paper, 1968, signed and dated in gray ink, numbered 32/59 (there were also eight artist's proofs), published by Gemini G.E.L., Los Angeles, with their blindstamps and ink stamp on the reverse
Image: 51 x 34 ¼ in. (1295 x 870 mm.)
Sheet: 59 7/8 x 41 ¾ in. (1521 x 1061 mm.)
Literature
Gemini Publication Sequence Number 97
F. Field, The Prints of Jasper Johns 1960-1993, A Catalogue Raisonné, West Islip, New York, 1990, no. 57.
Exhibited
Stanford, California, Stanford Museum, Anderson Family Collection: Two Decades of American Graphics 1967-1987 Prints, Multiples, Monotypes and Works in Paper, 29 September 1987-28 February 1988.
San Francisco, M.H. de Young Memorial Museum, Jasper Johns: 45 Years of Master Prints, 15 October 2005-12 February 2006.

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Emily Kaplan
Emily Kaplan

Lot Essay

In Gray Alphabets, Johns creates a subtle, ephemeral creation awash in varying tones of gray. Based on Johns’s 1956 painting and works on paper of the same name, Gray Alphabets is solely composed of delicate grayscale tones, in which lowercase letters reminiscent of children’s blocks or a printer’s letterpress are used as abstract cyphers, liberated from the words they routinely compose to roam freely across the paper sheet. The image—so elegant and beguiling in its design imparts the sheen of graphite along with the liquid quality of watercolor. This evocative effect has been described as “printerly” (R. Castleman, Jasper Johns: A Print Retrospective, exh. cat., Museum of Modern Art, New York, 1986, p. 14). To achieve this result, Johns developed four different matrices and several different shades of gray in order to capture the luminosity he so desired. Others in the edition are owned by the Metropolitan Museum of Art, the Walker Art Center in Minneapolis, the Smithsonian and the British Museum.

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