Lot Essay
Jean Béraud is best known for his boulevard scenes of Belle Époque Paris, which combined a sense of panache with an acute eye for anecdotal detail, but in which figures are often rendered as stock types. His portrait of the great French critic and historian Hippolyte Taine, however, is unusually penetrating. A study for his group portrait, La Salle de redaction du “Journal des débats” (The Editorial Room of the “Journal des Débats), in which Taine is depicted alongside other pre-eminent French intellectuals, here he is seated in profile against a plain background which highlights his thoughtful features, captured as if in casual conversation, a cigarette dangling from his right hand. Béraud presents a spontaneous and sympathetic image of a man who is both engaging and distinguished, as hinted by flash of colour the Legion d’Honneur pin on his lapel, and his wire-rimmed spectacles.
Jean Bourdeau (1848-1928), to whom the painting is dedicated, also featured in the same group portrait; he was a friend of Béraud’s and a regular contributor to the “Journal des Débats”.
Jean Bourdeau (1848-1928), to whom the painting is dedicated, also featured in the same group portrait; he was a friend of Béraud’s and a regular contributor to the “Journal des Débats”.