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Jim Lambie (B. 1964)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
Jim Lambie (B. 1964)

Metal Box

Jim Lambie (B. 1964)
Metal Box
enamel on aluminium sheets
49 ¼ x 49 ¼ x 13 ¾in (125 x 125 x 35cm.)
Executed in 2010
The Modern Institute, Glasgow.
Acquired from the above by the present owner.
Glasgow, The Modern Institute, Metal Urbain, 2010.
Special notice

Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
Specified lots (sold and unsold) marked with a filled square not collected from Christie’s by 5.00 pm on the day of the sale will, at our option, be removed to Cadogan Tate. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage. Please call Christie’s Client Service 24 hours in advance to book a collection time at Cadogan Tate Ltd. All collections will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

Lot Essay

Executed in 2010, Jim Lambie’s Metal Box encapsulates the artist’s ability to transform everyday materials into fantastical apparitions. Spanning collage, installation and sculpture, his multi-media practice playfully probes the psychological impact of colour, form and space, grounded in his own relationship with popular culture. Inspired by the layers of band posters he observed on the street walls of his native Glasgow, the Metal Boxes comprise sheets of aluminium, stacked and curled at the corners to mimic the crinkled appearance of paper exposed to the elements. Each sheet is painted a different colour on either side, thus creating a hypnotic kaleidoscopic spectrum when folded back. ‘It’s hard to predict how the colour combinations will look’, the artist explains. ‘I like that the work makes itself’ (J. Lambie, quoted in N. Forrest, ‘The Genius of Jim Lambie’s “Zero Concerto” at Roslyn Oxley9, Sydney’, Blouin Art Info, 1 September 2015).

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